Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 46–ի 1-ից 3-ը:
Էջ 46
... narrative , like the knitter at the finishing of her stocking , I am greatly deceived if in many cases a superior advantage is not attained by the air of reality which the deficiency of explanation attaches to a work written on a ...
... narrative , like the knitter at the finishing of her stocking , I am greatly deceived if in many cases a superior advantage is not attained by the air of reality which the deficiency of explanation attaches to a work written on a ...
Էջ 77
... narrative novel : Let him [ the novelist ] choose a motive , whether of character or passion : carefully construct his plot so that every incident is an illustration of the motive ... and allow neither himself in the narrative , nor any ...
... narrative novel : Let him [ the novelist ] choose a motive , whether of character or passion : carefully construct his plot so that every incident is an illustration of the motive ... and allow neither himself in the narrative , nor any ...
Էջ 90
... narrative unanimated style of a person relating difficulties and danger surmounted , can be ... the relater perfectly at ease ; and if himself , unmoved by his own story , not likely greatly to affect the reader . ( 8 ) . There is ...
... narrative unanimated style of a person relating difficulties and danger surmounted , can be ... the relater perfectly at ease ; and if himself , unmoved by his own story , not likely greatly to affect the reader . ( 8 ) . There is ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis