Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 41–ի 1-ից 3-ը:
Էջ 78
... pattern or idea of the plot novel ; or if not as important , they at least take up as much of our time and interest . Wooing takes up a proportionally small part of our lives , for example , yet , if most novels are to be accepted as ...
... pattern or idea of the plot novel ; or if not as important , they at least take up as much of our time and interest . Wooing takes up a proportionally small part of our lives , for example , yet , if most novels are to be accepted as ...
Էջ 82
... pattern , a purpose . The alternative is just to present a picture of life as it is , as closely as verbal expression will allow . Many modern writers refuse to take sides or pass judgment or give a personal rendering of life , and ...
... pattern , a purpose . The alternative is just to present a picture of life as it is , as closely as verbal expression will allow . Many modern writers refuse to take sides or pass judgment or give a personal rendering of life , and ...
Էջ 175
... pattern , purpose or line of action . They could be dispensed with and leave no vital break or flaw in the main structure . A novel cannot consist of nothing but digressions . But in Tristram Shandy there is no forward - moving line or ...
... pattern , purpose or line of action . They could be dispensed with and leave no vital break or flaw in the main structure . A novel cannot consist of nothing but digressions . But in Tristram Shandy there is no forward - moving line or ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis