Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 30–ի 1-ից 3-ը:
Էջ 33
... fiction and on the consequent dangers and follies that could result that the case of the moralists against the reading of novels rested . The comic romances of the 17th and early 18th centuries in Spain and France , and the burlesques ...
... fiction and on the consequent dangers and follies that could result that the case of the moralists against the reading of novels rested . The comic romances of the 17th and early 18th centuries in Spain and France , and the burlesques ...
Էջ 55
... romances where scores of slightly related themes pursue their separate ways concur- rently throughout the unwieldy ... novels has S 55 FICTION AND THE OTHER ARTS.
... romances where scores of slightly related themes pursue their separate ways concur- rently throughout the unwieldy ... novels has S 55 FICTION AND THE OTHER ARTS.
Էջ 195
... Romance p . 309. cf. Arthur Murphy's criticism of the novels of Marivaux : " They are not written , indeed , upon any of the laws of composition promulged by Aristotle , and expounded by his followers : his romances begin regularly with ...
... Romance p . 309. cf. Arthur Murphy's criticism of the novels of Marivaux : " They are not written , indeed , upon any of the laws of composition promulged by Aristotle , and expounded by his followers : his romances begin regularly with ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis