Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 41–ի 1-ից 3-ը:
Էջ 75
... sequence . The time - shift is yet another way of distributing the expository matter over the whole novel . In effect it makes a virtue of necessity by the deliberate fragmentation of the sequence ; all sense of continuity is lost , and ...
... sequence . The time - shift is yet another way of distributing the expository matter over the whole novel . In effect it makes a virtue of necessity by the deliberate fragmentation of the sequence ; all sense of continuity is lost , and ...
Էջ 124
... sequence of action disappears completely or nearly so , and all the emphasis is on the sequence of presentation . Because of the nature of the medium of expression , this throwing of the attention forward is inevitable in fiction , as ...
... sequence of action disappears completely or nearly so , and all the emphasis is on the sequence of presentation . Because of the nature of the medium of expression , this throwing of the attention forward is inevitable in fiction , as ...
Էջ 220
... SEQUENCE AND STYLE The incorporation of the past into the present demands the jettisoning of the earlier techniques which emphasised sequence and causality . Earlier novelists surveyed the worlds they created from Olympian heights ...
... SEQUENCE AND STYLE The incorporation of the past into the present demands the jettisoning of the earlier techniques which emphasised sequence and causality . Earlier novelists surveyed the worlds they created from Olympian heights ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis