Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 51–ի 1-ից 3-ը:
Էջ 44
... thing which I never met with in true life . We think it pretty well , you know , if one has got one thing , and another has got another . I will tell you how I mean . You are reckoned sensible ; our parson is learned ; the squire is ...
... thing which I never met with in true life . We think it pretty well , you know , if one has got one thing , and another has got another . I will tell you how I mean . You are reckoned sensible ; our parson is learned ; the squire is ...
Էջ 71
... thing as it finally com- municates itself to the reader after having passed through the refractive media of several ... things last or in the course of which events take place . During a few hours of reading , one imaginatively ...
... thing as it finally com- municates itself to the reader after having passed through the refractive media of several ... things last or in the course of which events take place . During a few hours of reading , one imaginatively ...
Էջ 151
... thing can prevent individual and often irrelevant associa- ions of all kinds from flitting in and out between the lines , and as Donne says : " a perpetual perplexity in the words cannot choose but cast a perplexity upon the things ...
... thing can prevent individual and often irrelevant associa- ions of all kinds from flitting in and out between the lines , and as Donne says : " a perpetual perplexity in the words cannot choose but cast a perplexity upon the things ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis