Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 20–ի 1-ից 3-ը:
Էջ 8
... tion by stubbing his foot against a stone , but since his time , the stone has dissolved into an arabesque of time - ex- periences and become a set of abstractions drawn from the measurable aspects of patterns of movement . [ For the ...
... tion by stubbing his foot against a stone , but since his time , the stone has dissolved into an arabesque of time - ex- periences and become a set of abstractions drawn from the measurable aspects of patterns of movement . [ For the ...
Էջ 35
... tion of reality . We never play the fair critical game with an author , never get into relation with him at all , unless we grant him his postulates ... If there is nothing in him that effectually induces us to make the postulate , he ...
... tion of reality . We never play the fair critical game with an author , never get into relation with him at all , unless we grant him his postulates ... If there is nothing in him that effectually induces us to make the postulate , he ...
Էջ 89
... tion of a central situation and the attitude to it . If most writers keep abreast of their times , it sometimes happens that one is in advance of his , so that a time - lag elapses before the public can catch up with his ideas or forms ...
... tion of a central situation and the attitude to it . If most writers keep abreast of their times , it sometimes happens that one is in advance of his , so that a time - lag elapses before the public can catch up with his ideas or forms ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis