Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 53–ի 1-ից 3-ը:
Էջ 31
... values and factors . Hence , the continual experiment- ation in these problems means a continual reconsideration of the time - values . This is as true of the earlier novelists like Richardson , Fielding and Sterne as it is of later ...
... values and factors . Hence , the continual experiment- ation in these problems means a continual reconsideration of the time - values . This is as true of the earlier novelists like Richardson , Fielding and Sterne as it is of later ...
Էջ 63
... values and time - series , and to the way one is played off against another . These values are of varying artistic impor- tance , but in combination they condition the whole con- ception of this most Protean of all the arts ; they ...
... values and time - series , and to the way one is played off against another . These values are of varying artistic impor- tance , but in combination they condition the whole con- ception of this most Protean of all the arts ; they ...
Էջ 64
... values are handled by the novelist and on his ability to maintain a suitable equilibrium between them all . The more noteworthy of these time - values , in so far as they can be isolated and treated separately , may be listed as follows ...
... values are handled by the novelist and on his ability to maintain a suitable equilibrium between them all . The more noteworthy of these time - values , in so far as they can be isolated and treated separately , may be listed as follows ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis