Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 75–ի 1-ից 3-ը:
Էջ 87
... WRITER If the average writer is limited by the limitations of his and reflects its views , the great writer stands above his , age and sees it sub specie aeternatis ! For the great 7 87 THE TIME LOCUS OF THE WRITER.
... WRITER If the average writer is limited by the limitations of his and reflects its views , the great writer stands above his , age and sees it sub specie aeternatis ! For the great 7 87 THE TIME LOCUS OF THE WRITER.
Էջ 190
... writer's partiality to them , and then to the dedication of the book , with a request to any applicant for the open honour to pay to the book- seller twenty guineas for the same , for the benefit of the author . The parson who had set ...
... writer's partiality to them , and then to the dedication of the book , with a request to any applicant for the open honour to pay to the book- seller twenty guineas for the same , for the benefit of the author . The parson who had set ...
Էջ 191
... Writer's present P. 43-6 . 1718 . P. 46-7 . Reader's and Writer's present sphere of influence before his birth , but soon breaks into the story with a plan of his future intentions , itself interrupted by a reference to his discovery ...
... Writer's present P. 43-6 . 1718 . P. 46-7 . Reader's and Writer's present sphere of influence before his birth , but soon breaks into the story with a plan of his future intentions , itself interrupted by a reference to his discovery ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis