Reflections on the Painting and Sculpture of the Greeks: With Instructions for the Connoisseur, and an Essay on Grace in Works of ArtTranslator, and sold, 1765 - 287 էջ |
From inside the book
Արդյունքներ 34–ի 1-ից 5-ը:
Էջ 4
... himself , not his foot flool . It is not only Nature which the votaries of the Greeks find in their works , but ftill more , fomething fuperior to nature ; ideal beauties , brain - born images , as Proclus fays " . The most beautiful ...
... himself , not his foot flool . It is not only Nature which the votaries of the Greeks find in their works , but ftill more , fomething fuperior to nature ; ideal beauties , brain - born images , as Proclus fays " . The most beautiful ...
Էջ 5
... himself . Whoever afpired to the honours of these was obliged , by the laws , to submit to a trial of ten months at Elis , the general rendezvous ; and there the first re- wards were commonly won by youths , as Pindar tells us . To be ...
... himself . Whoever afpired to the honours of these was obliged , by the laws , to submit to a trial of ten months at Elis , the general rendezvous ; and there the first re- wards were commonly won by youths , as Pindar tells us . To be ...
Էջ 11
... himself with all the beauties of Nature . In the most happy times of their free- dom , the humanity of the Greeks abhorred bloody games , which even in the Ionick Afia had ceafed long before , if , as fome guefs , they had once been ...
... himself with all the beauties of Nature . In the most happy times of their free- dom , the humanity of the Greeks abhorred bloody games , which even in the Ionick Afia had ceafed long before , if , as fome guefs , they had once been ...
Էջ 20
... himself . Then , and not fooner , he , particularly the painter , may be allowed to commit him- felf to Nature , especially in cafes where his art is beyond the inftruction of the old mar- bles , to wit , in drapery ; then , like ...
... himself . Then , and not fooner , he , particularly the painter , may be allowed to commit him- felf to Nature , especially in cafes where his art is beyond the inftruction of the old mar- bles , to wit , in drapery ; then , like ...
Էջ 51
... himself , and even though he per- ceive precifion and truth in this method , is forced to exert his abilities for getting bread rather than honour : he of course refts in his usual sphere , and continues to truft in an eye directed by ...
... himself , and even though he per- ceive precifion and truth in this method , is forced to exert his abilities for getting bread rather than honour : he of course refts in his usual sphere , and continues to truft in an eye directed by ...
Այլ խմբագրություններ - View all
Reflections on the Painting and Sculpture of the Greeks: With Instructions ... Johann Joachim Winckelmann Ամբողջությամբ դիտվող - 1765 |
Reflections on the Painting and Sculpture of the Greeks: With Instructions ... Johann Joachim Winckelmann Ամբողջությամբ դիտվող - 1765 |
Reflections on the Painting and Sculpture of the Greeks Johann Joachim Winckelmann Հատվածի դիտում - 1999 |
Common terms and phrases
againſt Alcibiades allegory alſo ancients antiquity artiſts Athenian bas-relief Bernini beſt characteriſtic Cicero coins compofition Conf confequently connoiffeurs Contour Corregio Daniel Gran defign Diofcorides Diomedes diſcovered drapery Drefden eaſy Egyptian eſpecially exerciſes expreffed expreffion eyes facred faid fame faſhion fays feem fenfes fhall fhew fhould fignify figures fingle firft firſt fome fomething foul ftatues ftill fublime fuch fuperior fuppofed fymbol gems Grace Greek hand himſelf Homer idea imitation infcription inftance inftruction itſelf Laocoon leaſt likewife mafter marble meaſure modern moft moſt moſt beautiful Mummy muſt myſelf nature nevertheleſs obfervations paffions painter painting Parrhafius perhaps Phidias pleaſe pleaſure Plin Plutarch poffibility Praxiteles prefented preferved pretended racter raiſe Raphael reaſon repreſented reſemblance Rome royal cabinet ſeems ſhall ſome ſtatue ſtill Stofch Strabo Stratonice taſte temple thefe themſelves theſe thofe thoſe treatiſe uſe vafe Venus Vide Vitruvius whofe whoſe wiſh youth Zeus Zeuxis
Սիրված հատվածներ
Էջ 28 - Pangs piercing every muscle, every labouring nerve; pangs which we almost feel ourselves, while we consider — not the face, nor the most expressive parts — only the belly contracted by excruciating pains: these however, I say, exert not themselves with violence, either in the face or gesture. He pierces not heaven, like the Laocoon of Virgil; his mouth is rather opened to discharge an anxious overloaded groan, as Sadolet says; the struggling body and the supporting mind exert themselves with...
Էջ 12 - Venus ; or that others formed the graces from Lais ; it is to be underftood that they did fo, without neglecting thefe great laws of the art. Senfual beauty furnifhed the painter with all that nature could give ; ideal beauty with the awful and fublime ; from that he took the Humane, from this the Divine. c Vide Stofch Pierres gray.
Էջ 14 - Iparing fagacity, and, as relative to a completer and more perfect Nature, offered but as hints, nay, often perceived only by the learned. The probability ftill increafes, that the bodies of the Greeks, as well as the works of their artifts, were framed with more unity of fyftem, a nobler harmony of parts, and a completenefs of the whole, above our lean tenfions and hollow wrinkles. Probability, 'tis true, is all we can pretend to : but it...
Էջ 2 - The most beautiful body of ours would perhaps be as much inferior to the most beautiful Greek one, as Iphicles was to his brother Hercules. The forms of the Greeks, prepared to beauty, by the influence of the mildest and purest sky, became perfectly elegant by their early exercises.
Էջ 2 - It is not only nature which the votaries of the Greeks find in their works, but still more, something superior to nature; ideal beauties, brain-born images, as Proclus says.
Էջ 7 - Autolycus, Lysis; Phidias for the improvement of his art by their beauty. Here he studied the elasticity of the muscles, the ever varying motions of the frame, the outlines of fair forms, or the contour left by the young wrestler on the sand. Here beautiful nakedness appeared with such a liveliness of expression, such truth and variety of situations, such a noble air of the body...
Էջ 21 - Michael j4ngelot perhaps, may be faid to have attained the antique ; but only in ftrong mufcular figures, heroic frames ; not in thofe of tender youth ; nor in female bodies, which, under his bold hand, grew Amazons. The Greek artift, on the contrary, adjufted his Contour, in every figure, to the breadth of a fingle hair, even in the niceft and moft tirefome performances, as gems. Confider the Diomedes and Perfeus of Diofcorides h, Hercules and Jole by Teucer \ and admire the inimitable Greeks.
Էջ 22 - This Contour reigns in Greek figures, even when covered with drapery, as the chief aim of the artist: the beautiful frame pierces the marble like a transparent Coan cloth.' All neoclassical sculptors must have paid deep attention to such passages, for contour was henceforth to become a prime factor in design. In 1754 Winckelmann entered the Roman Church and in the next years left Dresden...
Էջ 17 - Greek rule of beauty, the modern artift goes on the fureft way to the imitation of Nature, The ideas of unity and perfection, which he acquired in meditating on antiquity, will help him to combine, and to ennoble the more fcattered and weaker beauties of our Nature.
Էջ 31 - Contraft is the darling of their ideas ; in it they fancy every perfection. They fill their performances with cometlike excentric fouls, defpifing every thing but an Ajax or a Capaneus. Arts have their infancy as well as men > they begin, as well as the artift, with froth and bombaft : in fuch bufkins the mufe of...