GOD'S JUDGMENT ON A BISHOP. THE summer and autumn had been so wet, Every day, the starving poor At last, Bishop Hatto appointed a day And they should have food for the winter there. Rejoiced the tidings good to hear, The folk flocked from far and near; poor The great barn was full as it could hold Of women and children, and young and old. Then when he saw it could hold no more, "I'faith, tis an excellent bonfire!" quoth he, 66 So then to his palace returned he, And he slept that night like an innocent man, In the morning, as he entered the hall As he look'd, there came a man from his farm, My Lord, I opened your granaries this morn Another came running presently, "I'll go to my tower on the Rhine," replied he, ""Tis the safest place in Germany,— The walls are high, and the shores are steep, Bishop Hatto fearfully hastened away, And reach'd his tower in the island, and barr'd He laid him down, and closed his eyes ;- He started, and saw two eyes of flame On his pillow, from whence the screaming came. He listen'd, and look'd.—it was only the cat ; For they have swum over the river so deep, Down on his knees the Bishop fell, And faster and faster his beads did he tell, The saw of their teeth without he could hear. And in at the windows, and in at the door, They have whetted their teeth against the stones, THE PIOUS PAINTER. The story of the Pious Painter is related in the "Pia Hilaria" of Gazaus, but the Catholic poet has omitted the conclusion. This is to be found in the "Fabliaux" of Le Grand. THE FIRST PART. THERE once was a painter, in Catholic days, Still on his Madonnas the curious may gaze With applause and with pleasure, but chiefly his praise And delight was in painting the devil. They were angels, compared to the devils he drew. Who besieged poor St. Anthony's cell; Such burning hot eyes, such a damnable hue! You could even smell brimstone, their breath was so blue, He painted the devil so well. And now had the Artist a picture begun, The old dragon's imps, as they fled thro' the air, For he had the likeness so just to a hair, That they came, as Apollyon himself had been there, Every child at beholding it, shivered with dread, Not an old woman saw it, but raising her head, Dropt a bead, made a cross on her wrinkles, and said, "Lord keep me from ugly Old Nick!" What the Painter so earnestly thought on by day, "You rascally dauber!" old Beelzebub cries, Now the painter was bold, and religious beside, So earnestly he all his countenance eyed, And thank'd him for sitting, with Catholic pride, Betimes in the morning, the Painter arose, Every look, every line, every feature he knows, Happy man! he is sure the resemblance can't fail,- There's his grin, and his fangs, his skin cover'd with scale, And that the identical curl of his tail,- He looks, and retouches again with delight; He looks round for applause, and he sees with affright, "Fool! Idiot!" old Beelzebub grinn'd as he spoke, And stampt on the scaffold in ire. The Painter grew pale, for he knew it no joke, "Help! help me, O Mary!" he cried, in alarm, From the canvas, the Virgin extended her arm, The old dragon fled, when the wonder he spied, |