A PEN-to register; a key— That winds through secret wards; Are well assign'd to Memory As aptly, also, might be given A Pencil to her hand; That, softening objects, sometimes even LIVES there a man whose sole delights Hardening a heart that loathes or slights That smoothes foregone distress, the lines From murmur of a running stream? Of lingering care subdues, Yet, like a tool of Fancy, works That startle Conscience, as she lurks O, that our lives, which flee so fast, That not an image of the past Retirement then might hourly look Age steal to his allotted nook With heart as calm as lakes that sleep, Or mountain rivers, where they creep THIS lawn, a carpet all alive Could strip, for aught the prospect yields A soul so pitiably forlorn, If such do on this Earth abide, 5 Hundreds of times have I watched the dancing of shadows amid a press of sunshine, and other beautiful appearances of light and shade, flowers and shrubs. Some are of opinion that the habit of analysing, decomposing, and anatomising is unfavourable to the perception of beau ty. People are led into this mistake by overlooking the fact that, such processes being to a certain extent within the reach of a limited intellect, we are apt to ascribe to them that insensibility of which they are in truth the effect, and not the cause. Admiration and love, to which all knowledge truly vital must tend, are felt by men of real genius in proportion as their discoveries in natural Philosophy are enlarged; and the beauty in form of a plant or an animal is not made less but With shadows flung from leaves, to strive more apparent as a whole, by more accu In dance amid a press Of sunshine, an apt emblem yields rate insight into its constituent properties and powers. A savant, who is not also a poet in soul and a religionist in heart, is a feeble and unhappy creature. -Author's Notes. Sighing I turn'd away; but ere Night fell I heard, or seem'd to hear, Chanted in love that casts out fear THOUGHTS SUGGESTED THE DAY FOLLOWING, ON Too frail to keep the lofty vow He falter'd, drifted to and fro, And pass'd away. Well might such thoughts, dear Sister, Our minds when, lingering all too long, Indulged as if it were a wrong To seek relief. But, leaving each unquiet theme Of good and fair, Let us beside this limpid Stream Breathe hopeful air. Enough of sorrow, wreck, and blight; His course was true, Yes, freely let our hearts expand, We wont to stray, Our pleasure varying at command How oft inspired must he have trod Or in his nobly-pensive mood. Proud thoughts that Image overawes; She train'd her Burns to win applause Through busiest street and loneliest glen He rules 'mid winter snows, and when Deep in the general heart of men What need of fields in some far clime Shall dwell together till old Time Folds up his wings? Sweet Mercy! to the gates of Heaven And memory of Earth's bitter leaven, But why to Him confine the prayer, The best of what we do and are, TO THE SONS OF BURNS, AFTER VISITING THE GRAVE OF THEIR FATHER. 1 This piece, as also several of those that follow, grew out of the tour that the poet and his sister made through Scotland. in 1803. In a note on the piece, the author has the following: "We talked of Burns, 'MID crowded obelisks and urns and of the prospect he must have had, perhaps from his own door, of Skiddaw I sought th' untimely grave of Burns: and his companions; indulging ourselves Sons of the Bard, my heart still mourns in the fancy that we might have been perWith sorrow true; sonally known to each other, and he have looked upon those objects with more pleasure for our sakes." And more would grieve, but that it turns |