|Long as these mighty rocks endure, — O, do not Thou too fondly brood, Although deserving of all good, On any earthly hope, however pure! 4 [1805. [Composed at Grasmere, during a walk one Evening, after a stormy day, the Author having just read in a Newspaper that the dissolution of Mr. Fox was hourly expected.] LOUD is the Vale! the Voice is up Loud is the Vale; - this inland Depth Sad was I, even to pain deprest, And many thousands now are sad, - 4 The poet repeatedly celebrates the virtues and the sad death of his brother John. In a letter to his friend Sir George Beaumont, dated March 12, 1805, he makes the following reflections, started by that event: "Why have we sympathies that make the best of us so afraid of inflicting pain and sorrow, which yet we see dealt about so lavishly by the supreme Governor? Why should our notions of right towards each other, and to all sentient beings within our influence, differ so widely from what appears to be His notion and rule, if everything were to end here? Would it not be blasphemy to say that, upon the supposition of the think ing principle being destroyed by death, however inferior we may be to the Cause and Ruler of things, we have more of love in our nature than He has? The thought is monstrous; and yet how to get rid of it, except upon the supposition of another and a better world, I do not see. As to my departed brother, who leads our minds at present to these reflections, he walked all his life pure among many impure." Such ebb and flow must ever be, As snowdrop on an infant's grave, Then wherefore should we mourn? [1806. Or lily heaving with the wave ELEGIAC STANZAS. That feeds it and defends; As Vesper, ere the star hath kiss'd (Addresseed to Sir G. H. B. upon the death That from the vale ascends. of his Sister-in-law.) O FOR a dirge! But why complain? A garland of immortal boughs To twine around the Christian's brows, We pay a high and holy debt; Sad doom, at Sorrow's shrine to kneel, And impotent to bear! Such once was hers, - to think and think Their golden leaves upon the pathways, On sever'd love, and only sink But nature to its inmost part Calm as the dew-drop's, free to rest Was ever Spirit that could bend My steps the Border-minstrel led." The mighty Minstrel breathes no longer, 5 This lady [Mrs. Frances Fermor] had been a widow long before I knew her. Her husband was of the family of the lady celebrated in The Rape of the Lock. The sorrow which his death caused her was fearful in its character as described in this poem, but was subdued in course of time by the strength of her religious faith. I have been, for many weeks at a time, an inmate with her at Coleorton Hall, as were also Mrs. Wordsworth and my sister. The truth in the sketch of her character here given was acknowledged with gratitude by her nearest relaPale was her hue; yet mortal cheek tives. She was eloquent in conversation, Ne'er kindled with a livelier streak energetic upon public matters, open in When aught had suffer'd wrong, respect to those, but slow to communicate her personal feelings; upon these she When aught that breathes had felt a never touched in her intercourse with So promptly from her lofty throne?— wound; Such look th' Oppressor might confound, But hush'd by every thought that springs No thorns can pierce her tender feet, me, so that I could not regard myself as ingly surprised when I learnt she had her confidential friend, and was accordleft me a legacy of £100 as a token of her esteem.Author's Notes, 1843. 6 Alluding to the occasion of the poem Yarrow Visited. See page 165 7 Alluding to the occasion of the poem Yarrow Revisited. See page 167, note 10. 8 Sir Walter Scott died Sept. 21, 1832. 9 James Hogg, long and widely-distinguished at the Ettrick Shepherd," died in November, 1835. Nor has the rolling year twice measured, | On which with thee, O Crabbe! forth From sign to sign, its steadfast course, The rapt One, of the godlike forehead, looking, I gazed from Hampstead's breezy heath. Mourn rather for that holy Spirit, Like clouds that rake the mountain-sum- For Her who, ere her summer faded, mits, Or waves that own no curbing hand, Yet I, whose lids from infant slumber Has sunk into a breathless sleep.1 No more of old romantic sorrows, 3 The Rev. George Crabbe died Feb. 3, 1832. 4 Alluding to Mrs. Felicia Hemans, Our haughty life is crown'd with dark-who died May 16, 1835. ness, 5 These verses were written extemLike London with its own black wreath, of the Ettrick Shepherd's death, in the pore, immediately after reading a notice 1 Samuel Taylor Coleridge died July 25, 1834. 2 Charles Lamb died Dec. 27, 1834. Newcastle paper, to the Editor of which I sent a copy for publication. The persons lamented in these verses were all either of my friends or acquaintances. Author's Notes, 1843. ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEELE CASTLE, IN A STORM, I WAS thy neighbour once, thou rugged Pile! So pure the sky, so quiet was the air! How perfect was the calm! it seem'd no sleep; Ah! THEN, if mine had been the Painter's hand, - I would have planted thee, thou hoary Pile Thou shouldst have seem'd a treasure-house divine A Picture had it been of lasting ease, Such, in the fond illusion of my heart, Not for a moment could I now behold This, which I know, I speak with mind serene. Then, Beaumont, Friend! who would have been the Friend, If he had lived, of Him whom I deplore, This work of thine I blame not, but commend; O, 'tis a passionate Work!-yet wise and well, And this huge Castle, standing here sublime, The lightning, the fierce wind, and trampling waves. 6 Throughout this piece, again, the feeling uppermost in the poet's mind is sorrow at the death of his brother. In one of his summer vacations while in college, he had spent four weeks in the neighbourhood of Peele Castle; and all that time the waters had remained perfectly unruffled and smooth, never ceasing to image in their depths the Castle standing near; and now a picture of the place, with the sea heaving under a mighty storm, the same sea which had been so calm and still, that it seemed to him "the gentlest of all gentle Things,"- -only reminds him of his brother's fate, and, from the fierce contrast, impresses him with a deeper sense of the terrible might which had slumbered so sweetly before his eye. Farewell, farewell the heart that lives alone, But welcome fortitude, and patient cheer, WRITTEN AFTER THE DEATH OF CHARLES To a good Man of most dear memory From the great city where he first drew breath, 7. This is justly regarded as one of the author's noblest and most characteristic pieces. Hardly any of them has been oftener quoted, or drawn forth more or stronger notes of admiration. Perhaps the higher function of Poetry has never been better expressed than in the last half of the fourth stanza. The author's private correspondence at the time shows that the shaping and informing spirit of the piece was not a thing assumed for any purpose of art. In a letter to a friend, dated March 16, 1805, he wrote as follows: "For myself, I feel that there is something cut out of my life which cannot be restored. I never thought of him but with hope and delight: we looked forward to the time, not distant, as we thought, when he would settle near us, when the task of his life would be over, and he would have nothing to do but reap his reward. I never wrote a line without a thought of its giving him pleasure: my writings, printed and manuscript, were his delight, and one of the chief solaces of his long voyages. But I will not be cast down; were it only for his sake, I will not be dejected: and I hope, when I shall be able to think of him with a calmer mind, that the remembrance of him dead will even animate me more than the joy which I had in him living." 8 Light will be thrown upon the tragic circumstance alluded to in this poem, when, after the death of Charles Lamb's Sister, his biographer, Mr. Sergeant Tal fourd, shall be at liberty to relate particulars which could not, at the time his Memoir was written, be given to the public. Mary Lamb was ten years older than her brother, and has survived him as long a time. Were I to give way to my own feelings, I should dwell not only on her genius and intellectual power, but upon the delicacy and refinement of manner which she maintained inviolable under the most trying circumstances. She was loved and honoured by all her brother's friends; and others, some of them strange characters, whom his philanthropic peculiarities induced him to countenance. The death of Charles Lamb himself was doubtless hastened by his sorrow for that of Coleridge, to whom he had been attached from the time of their being school-fellows at Christ's Hospital. Lamb was a good Latin scholar, and probably would have gone to college upon one of the school foundations but for the impediment in his speech. Author's Notes, 1843. |