Beijing Opera Costumes: The Visual Communication of Character and Culture

Գրքի շապիկի երեսը
Routledge, 17 հնվ, 2019 թ. - 432 էջ

Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.

 

Բովանդակություն

Acknowledgements
Abbreviations
INTRODUCTION
THE WORLD OF TRADITIONAL JINGJU COSTUMES
Costumes and Movement
THE FORM AND HISTORICAL ROOTS OF COSTUMES
THE SYMBOLISM AND APPLICATION OF COLOR
THE AESTHETICS AND MEANINGS OF THE EMBROIDERED IMAGERY
Հեղինակային իրավունք

Այլ խմբագրություններ - View all

Common terms and phrases

Հեղինակի մասին (2019)

Alexandra B. Bonds is Professor Emerita of Costume Design at the University of Oregon. Her passion for Beijing Opera costumes began when she received a Fulbright to teach at the National Institute for the Arts in Taiwan in 1990. As an award-winning designer of costumes, she became the first foreigner to study costumes at the Academy for Traditional Chinese Opera in Beijing, China. Her research in this area has been recognized for excellence in writing for the performing arts by the United States Institute for Theatre Technology

Բիբլիոգրաֆիական տվյալներ