The Cinema of Wim Wenders: The Celluloid Highway

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Wallflower Press, 2002 - 179 էջ
The Cinema of Wim Wenders: The Celluloid Highway is a new study of the films of this most prominent of German directors, and penetrates the seductive sounds and images for which he is best known. The book analyses the individual films in the context of a preoccupation central to all of Wenders' work and writings: why modern cinema - a recording art, solely composed of sounds and images - naturally developed into a primarily narrative medium, a domain traditionally associated with words and sentences? With its emphasis on analysing the films themselves, this book identifies and critically elucidates Wenders' chief artistic motivation: that the act of seeing can constitute a creative act in its own right.
 

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Wenders and the New German Cinema
6
Central themes
13
On the Production of Images
19
The film image as illusion of reality
25
LIST OF ILLUSTRATIONS 1 Until the End of the World
30
Cinema films in television
32
NYC 1982
33
Narrative as structure
41
Alice in the Cities
91
Paris Texas
95
Paris Texas
97
Paris Texas
99
Tokyo Ga
107
Tokyo Ga
110
Tokyo Ga
111
Wings of Desire
117

The State of Things
42
The State of Things
43
Road movies and episodic narrative structure
48
Understatement of dramatic highlights
54
Wenders aesthetic of creative perception
64
Kings of the Road
65
CHAPTER THREE Alice in the Cities
72
Alice in the Cities
73
Alice in the Cities
80
Alice in the Cities
86
Alice in the Cities
90
Wings of Desire
122
The Million Dollar Hotel
134
The Million Dollar Hotel
137
The Million Dollar Hotel
138
Lisbon Story
145
Lisbon Story
147
Conclusion
151
Notes
159
Filmography
167
Bibliography
173
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Հեղինակի մասին (2002)

Alexander Graf lives in Berlin and works in film production.

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