Music in Shakespearean Tragedy

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Psychology Press, 2005 - 334 էջ
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First published in 1963.

When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

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Բովանդակություն

TRADITION OF VOCAL AND INSTRUMENTAL
1
CHAPTER II
8
THE WILLOW SONG
23
Appendix
39
OPHELIAS SONGS
53
a As ye came from the holy land
59
Bonny sweet Robin refrain
70
MAGIC SONGS
79
I loathe that I did love
152
I loathe
154
BLANK VERSE PROSE AND SONGS IN KING
158
Then they for sudden joy did weep
174
Come oer the burn Bessy
181
Come oer the burn Bessy
187
RETROSPECT OF SCHOLARSHIP ON SHAKE
258
I loathe 153
267

CHAPTER IV
80
Take o take those lips away harmonized
95
ADULT SONGS AND ROBERT ARMIN
98
CHAPTER V
103
When griping grief the heart doth wound
120
ADULT SONGS FROM HAMLET TO OTHELLO
126
CHAPTER VI
146
BIBLIOGRAPHY
274
62
289
63
298
Come oer the burn Bessy 188
301
I loathe 153
304
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