Julius CaesarPenguin UK, 07 ապր, 2005 թ. - 272 էջ 'Cry havoc and let slip the dogs of war, |
From inside the book
Արդյունքներ 16–ի 1-ից 5-ը:
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... the characterful prose of Falstaff and Hamlet's soliloquies. The effect is of increasing psychological realism, reaching its greatest heights in Hamlet, Othello, King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of.
... the characterful prose of Falstaff and Hamlet's soliloquies. The effect is of increasing psychological realism, reaching its greatest heights in Hamlet, Othello, King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of.
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... effects such as ourishes of trumpets, music both martial and amorous, and accompaniments to songs were provided by the company's musicians. Actors entered through doors in the back wall of the stage. Above it was a balconied area that ...
... effects such as ourishes of trumpets, music both martial and amorous, and accompaniments to songs were provided by the company's musicians. Actors entered through doors in the back wall of the stage. Above it was a balconied area that ...
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... effect is to give him something he must apologize for when Mark Antony arrives on the scene: Though now we must appear bloody and cruel, As by our hands and this our present act You see we do, yet see you but our hands And this the ...
... effect is to give him something he must apologize for when Mark Antony arrives on the scene: Though now we must appear bloody and cruel, As by our hands and this our present act You see we do, yet see you but our hands And this the ...
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... effect. In the theatre they are often addressed as much to the auditorium as they are to the onstage crowd – appropriately enough since, as we shall see, the play itself is doing something very similar to what Brutus and Antony are ...
... effect. In the theatre they are often addressed as much to the auditorium as they are to the onstage crowd – appropriately enough since, as we shall see, the play itself is doing something very similar to what Brutus and Antony are ...
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... effect, startling in any century, would have been particularly acute at the Globe in 1599. We are used to theatrical performances being mainly evening events, whereas in Shakespeare's time they took place in the afternoon; if you were ...
... effect, startling in any century, would have been particularly acute at the Globe in 1599. We are used to theatrical performances being mainly evening events, whereas in Shakespeare's time they took place in the afternoon; if you were ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong