Julius CaesarPenguin UK, 07 ապր, 2005 թ. - 272 էջ 'Cry havoc and let slip the dogs of war, |
From inside the book
Արդյունքներ 15–ի 1-ից 5-ը:
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... General Introduction and Chronology copyright © Stanley Wells, 2005 Introduction, The Play in Performance and Further Reading copyright © Martin Wiggins, 2005 All rights reserved The moral right of the editors has been asserted Except.
... General Introduction and Chronology copyright © Stanley Wells, 2005 Introduction, The Play in Performance and Further Reading copyright © Martin Wiggins, 2005 All rights reserved The moral right of the editors has been asserted Except.
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... Introduction The Chronology of Shakespeare's Works Introduction The Play in Performance Further Reading JULIUS CAESAR An Account of the Text Commentary General Introduction Every play by Shakespeare is unique. This is.
... Introduction The Chronology of Shakespeare's Works Introduction The Play in Performance Further Reading JULIUS CAESAR An Account of the Text Commentary General Introduction Every play by Shakespeare is unique. This is.
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... performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English ...
... performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English ...
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... performance is demonstrated by the fact that only about half of his plays appeared in print in his lifetime, in slim paperback volumes known as quartos, so called because they were made from printers' sheets folded twice to form four ...
... performance is demonstrated by the fact that only about half of his plays appeared in print in his lifetime, in slim paperback volumes known as quartos, so called because they were made from printers' sheets folded twice to form four ...
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... performances resumed after the Restoration of the monarchy in 1660 many of the plays were not to the taste of the times, especially because their mingling of genres and failure to meet the requirements of poetic justice offended against ...
... performances resumed after the Restoration of the monarchy in 1660 many of the plays were not to the taste of the times, especially because their mingling of genres and failure to meet the requirements of poetic justice offended against ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong