Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 86–ի 1-ից 3-ը:
Էջ 84
... cause received from the first cause that it has influence upon that which it causes , after the fashion of a body that receives and reflects a ray . Wherefore the first cause is cause in a higher degree ; and this is what the book De ...
... cause received from the first cause that it has influence upon that which it causes , after the fashion of a body that receives and reflects a ray . Wherefore the first cause is cause in a higher degree ; and this is what the book De ...
Էջ 217
... causes after we have collected the facts . No matter if the facts be physical or moral , they all have their causes ; there is a cause for ambi- tion , for courage , for truth , as there is for digestion , for muscular movement , for ...
... causes after we have collected the facts . No matter if the facts be physical or moral , they all have their causes ; there is a cause for ambi- tion , for courage , for truth , as there is for digestion , for muscular movement , for ...
Էջ 227
... cause given , they appear ; the cause withdrawn , they vanish : the weakness or intensity of the cause measures their weakness or intensity . They are bound up with their causes , as a physical phenomenon with its condition , as the dew ...
... cause given , they appear ; the cause withdrawn , they vanish : the weakness or intensity of the cause measures their weakness or intensity . They are bound up with their causes , as a physical phenomenon with its condition , as the dew ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing