Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 82–ի 1-ից 3-ը:
Էջ 28
... criticism of literature . I put the matter in this way because it is impossible not to be aware of the opinion- it never prevails but neither does it ever wholly die - that criticism is of its nature essentially alien to the art which ...
... criticism of literature . I put the matter in this way because it is impossible not to be aware of the opinion- it never prevails but neither does it ever wholly die - that criticism is of its nature essentially alien to the art which ...
Էջ 420
... criticism I shall be chiefly concerned with the idea of a formal relation ; that is to say , suppos- ing we knew what criticism is , what relation would it have to the humanities , of which it seems to be a constituent part ? In the ...
... criticism I shall be chiefly concerned with the idea of a formal relation ; that is to say , suppos- ing we knew what criticism is , what relation would it have to the humanities , of which it seems to be a constituent part ? In the ...
Էջ 427
... criticism of all , offers the historical reconstruction as the general possibility of literature , without accounting for the unique , miraculous superiority of The Tempest or of Para- dise Lost . III . When we find criticism appealing ...
... criticism of all , offers the historical reconstruction as the general possibility of literature , without accounting for the unique , miraculous superiority of The Tempest or of Para- dise Lost . III . When we find criticism appealing ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing