Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 85–ի 1-ից 3-ը:
Էջ 271
... imagination ; while the other offers something which satisfies imagination but has not full " reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
... imagination ; while the other offers something which satisfies imagination but has not full " reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
Էջ 580
... imagination as the power that produces art , we often think of it as the designing or structural principle in creation , Coleridge's " esemplastic " power . But imagination in this sense , left to itself , can only design . Random ...
... imagination as the power that produces art , we often think of it as the designing or structural principle in creation , Coleridge's " esemplastic " power . But imagination in this sense , left to itself , can only design . Random ...
Էջ 582
... imagination by making its design more flexible . Thus in a Dutch realistic interior the painter's ability to render the sheen of satin or the varnish of a lute both limits his power of design ( for a realistic painter cannot , like ...
... imagination by making its design more flexible . Thus in a Dutch realistic interior the painter's ability to render the sheen of satin or the varnish of a lute both limits his power of design ( for a realistic painter cannot , like ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing