Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 84–ի 1-ից 3-ը:
Էջ 9
... mind of the poet while composing ? ' The work ceases then to be regarded as primarily a reflection of nature . . . ; the mirror held up to nature becomes transparent and yields the reader insight into the mind and heart of the poet ...
... mind of the poet while composing ? ' The work ceases then to be regarded as primarily a reflection of nature . . . ; the mirror held up to nature becomes transparent and yields the reader insight into the mind and heart of the poet ...
Էջ 329
... mind . It feels itself destroyed when it is KNOWN . Hence the profound instinct of privacy . And on the other hand , the mind and the spiritual consciousness of man simply hates the dark potency of blood - acts : hates the genuine dark ...
... mind . It feels itself destroyed when it is KNOWN . Hence the profound instinct of privacy . And on the other hand , the mind and the spiritual consciousness of man simply hates the dark potency of blood - acts : hates the genuine dark ...
Էջ 452
... mind , as a verbal contrast , as though it represented a clear and real relationship between two well - defined notions . It must be admitted that that character always in a hurry to have done , whom we call our mind , has a weakness ...
... mind , as a verbal contrast , as though it represented a clear and real relationship between two well - defined notions . It must be admitted that that character always in a hurry to have done , whom we call our mind , has a weakness ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing