Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 84–ի 1-ից 3-ը:
Էջ 313
... nature of these deities , and that their essence should be transposed on to the regularity with which the seasons change . The Horae thus became the guardians of natural law and of the divine Order which causes the same thing to recur in ...
... nature of these deities , and that their essence should be transposed on to the regularity with which the seasons change . The Horae thus became the guardians of natural law and of the divine Order which causes the same thing to recur in ...
Էջ 584
... nature but whose form is human ; hence when it " imitates " nature it assimilates nature to human forms . The world of art is human in perspective , a world in which the sun continues to rise and set long after science has explained ...
... nature but whose form is human ; hence when it " imitates " nature it assimilates nature to human forms . The world of art is human in perspective , a world in which the sun continues to rise and set long after science has explained ...
Էջ 600
... nature thus reveals itself as the source of all humanism , in the habitual sense of the word . And it is no accident if Nature precisely — mineral , animal , vegetable Nature - is first of all clogged with an anthropomorphic vocab ...
... nature thus reveals itself as the source of all humanism , in the habitual sense of the word . And it is no accident if Nature precisely — mineral , animal , vegetable Nature - is first of all clogged with an anthropomorphic vocab ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing