Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 77–ի 1-ից 3-ը:
Էջ 169
... once the painter and the analyst ; that though the very subject cannot but detract from the pleasure of a delicate mind , yet never was poem less dangerous on a moral account . Instead of doing as Ariosto11 and as , still more ...
... once the painter and the analyst ; that though the very subject cannot but detract from the pleasure of a delicate mind , yet never was poem less dangerous on a moral account . Instead of doing as Ariosto11 and as , still more ...
Էջ 309
... once more at our material . In the Estonian epic , just as in the tale from the Gesta Romanorum , the subject is a girl choosing between three suitors ; in the scene from The Merchant of Venice the subject is apparently the same , but ...
... once more at our material . In the Estonian epic , just as in the tale from the Gesta Romanorum , the subject is a girl choosing between three suitors ; in the scene from The Merchant of Venice the subject is apparently the same , but ...
Էջ 602
... once again . It is a solitude forever . Wherever there is distance , separation , doubling , cleavage , there is the possibility of experiencing them as suffering , then of raising this suffering to the height of a sublime necessity . A ...
... once again . It is a solitude forever . Wherever there is distance , separation , doubling , cleavage , there is the possibility of experiencing them as suffering , then of raising this suffering to the height of a sublime necessity . A ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
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action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing