Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 84–ի 1-ից 3-ը:
Էջ 95
... persons , in all his actions and speeches , that person must dis- cover majesty , magnanimity , and jealousy of power , because these are suitable to the general manners of a king . The third property of manners is re- semblance ; and ...
... persons , in all his actions and speeches , that person must dis- cover majesty , magnanimity , and jealousy of power , because these are suitable to the general manners of a king . The third property of manners is re- semblance ; and ...
Էջ 305
... person who takes delight in the art , not a person who tries to interpose his inferior productions between masterwork and the public . I reject the term connoisseurship , for " connoisseurship " is so associated in our minds with a ...
... person who takes delight in the art , not a person who tries to interpose his inferior productions between masterwork and the public . I reject the term connoisseurship , for " connoisseurship " is so associated in our minds with a ...
Էջ 325
... person and ends in the third person . The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person with such vital force that he or she assumes a proper and intangible esthetic life ...
... person and ends in the third person . The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person with such vital force that he or she assumes a proper and intangible esthetic life ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing