Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 87–ի 1-ից 3-ը:
Էջ 134
... pleasure , the moment it flows from a moral source , renders man morally better , and then the effect in its turn becomes cause . The pleasure we find in what is beautiful , or touching , or sublime , strengthens our moral sentiments ...
... pleasure , the moment it flows from a moral source , renders man morally better , and then the effect in its turn becomes cause . The pleasure we find in what is beautiful , or touching , or sublime , strengthens our moral sentiments ...
Էջ 139
... pleasure resulting from it . Propriety , the reference of means to an end , is to us , in all cases , a source of pleasure , even disconnected with morality . We experience this pleasure unmixed , so long as we do not think of any moral ...
... pleasure resulting from it . Propriety , the reference of means to an end , is to us , in all cases , a source of pleasure , even disconnected with morality . We experience this pleasure unmixed , so long as we do not think of any moral ...
Էջ 150
... pleasure . We have no knowledge , that is , no general principles drawn from the contemplation of particular facts , but what has been built up by pleasure , and exists in us by pleasure alone . The Man of science , the Chemist and ...
... pleasure . We have no knowledge , that is , no general principles drawn from the contemplation of particular facts , but what has been built up by pleasure , and exists in us by pleasure alone . The Man of science , the Chemist and ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing