Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 89–ի 1-ից 3-ը:
Էջ 273
... poem , he hears the word " skylark . " If the title of a poem conveys little or nothing to us , the " subject " appears to be either what we should gather by investigating the title in a dic- tionary or other book of the kind , or else ...
... poem , he hears the word " skylark . " If the title of a poem conveys little or nothing to us , the " subject " appears to be either what we should gather by investigating the title in a dic- tionary or other book of the kind , or else ...
Էջ 274
... poem he is to be judged by , not by the thing as it was before he touched it ; and how can we venture to say beforehand that he cannot make a true poem out of something which to us was merely alluring or dull or revolting ? The question ...
... poem he is to be judged by , not by the thing as it was before he touched it ; and how can we venture to say beforehand that he cannot make a true poem out of something which to us was merely alluring or dull or revolting ? The question ...
Էջ 400
... poem as a free translation of the Greek poem ; but he went on to develop out of it a thoroughly different poem - different in theme and different in tone . The little Anacreontic poem becomes merely a starting point of the poem that ...
... poem as a free translation of the Greek poem ; but he went on to develop out of it a thoroughly different poem - different in theme and different in tone . The little Anacreontic poem becomes merely a starting point of the poem that ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing