Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 80–ի 1-ից 3-ը:
Էջ 60
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
Էջ 300
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
Էջ 423
... possible varia- tions . The slippery ambiguity of the word criticism itself ought by now to be plain . But for the purposes of this localized discussion , which I am limiting for the moment to the question of how to teach , we may think ...
... possible varia- tions . The slippery ambiguity of the word criticism itself ought by now to be plain . But for the purposes of this localized discussion , which I am limiting for the moment to the question of how to teach , we may think ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing