Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 77–ի 1-ից 3-ը:
Էջ 49
... principle is ready to follow this suggestion of reason ? Clearly . But the other principle , which inclines us to recollection of our troubles and to lamentation , and can never have enough of them , we may call irrational , useless ...
... principle is ready to follow this suggestion of reason ? Clearly . But the other principle , which inclines us to recollection of our troubles and to lamentation , and can never have enough of them , we may call irrational , useless ...
Էջ 154
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
Էջ 187
... principle of its being and even in its substance . Shakespeare has in this play shewn himself well versed in history ... principle of poetry is a very anti - levelling principle . It aims at effect , it exists by contrast . It admits of ...
... principle of its being and even in its substance . Shakespeare has in this play shewn himself well versed in history ... principle of poetry is a very anti - levelling principle . It aims at effect , it exists by contrast . It admits of ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing