Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 86
... understand which things be it known that the human intel- lect , when it is exalted in this life , because of its being co - natural and having affinity with a sejunct intellectual substance , it is so far exalted that after its return ...
... understand which things be it known that the human intel- lect , when it is exalted in this life , because of its being co - natural and having affinity with a sejunct intellectual substance , it is so far exalted that after its return ...
Էջ 280
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
Էջ 450
... understanding of specific works of art . The critic possessed of little or no history is inclined to make slipshod guesses ... understand Dryden , " in " Miss Emily and the Bibliographer " ( Reason in Madness , New York , 1941 , p . 115 ) ...
... understanding of specific works of art . The critic possessed of little or no history is inclined to make slipshod guesses ... understand Dryden , " in " Miss Emily and the Bibliographer " ( Reason in Madness , New York , 1941 , p . 115 ) ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing