Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 384
... verse - masters , set out to merge the two techniques . Dickens and Herman Melville had occasionally resorted to blank verse for passages which they meant to be elevated , but these flights had not matched . their context , and the ...
... verse - masters , set out to merge the two techniques . Dickens and Herman Melville had occasionally resorted to blank verse for passages which they meant to be elevated , but these flights had not matched . their context , and the ...
Էջ 385
... verse have done even more than she is trying to do what Jane Austen or George Eliot were doing ? 34 Recently the techniques of prose and verse have been getting mixed up at a bewildering rate - with the prose technique steadily gaining ...
... verse have done even more than she is trying to do what Jane Austen or George Eliot were doing ? 34 Recently the techniques of prose and verse have been getting mixed up at a bewildering rate - with the prose technique steadily gaining ...
Էջ 386
... verse - drama with rhythms which , adapting themselves to the rhythms of colloquial speech , run sometimes closer to prose . And you have Mr. Maxwell Anderson * trying to renovate the modern theater by bringing back blank verse again ...
... verse - drama with rhythms which , adapting themselves to the rhythms of colloquial speech , run sometimes closer to prose . And you have Mr. Maxwell Anderson * trying to renovate the modern theater by bringing back blank verse again ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing