Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 84–ի 1-ից 3-ը:
Էջ 286
... writing , but it is better to call it symbolical writing , because metaphors are not profound enough to be moving , when they are not symbols , and when they are symbols they are the most perfect of all , because the most subtle ...
... writing , but it is better to call it symbolical writing , because metaphors are not profound enough to be moving , when they are not symbols , and when they are symbols they are the most perfect of all , because the most subtle ...
Էջ 300
... writing , " defining each word as one would define the terms in a treatise on chemistry . And on this account all ... writing is writing that is perfectly controlled , the writer says just what he means . He says it with complete clarity ...
... writing , " defining each word as one would define the terms in a treatise on chemistry . And on this account all ... writing is writing that is perfectly controlled , the writer says just what he means . He says it with complete clarity ...
Էջ 497
... writing involves an implicit quasi - reading which makes real reading impossible . When the words form under his pen , the author doubtless sees them , but he does not see them as the reader does , since he knows them before writing ...
... writing involves an implicit quasi - reading which makes real reading impossible . When the words form under his pen , the author doubtless sees them , but he does not see them as the reader does , since he knows them before writing ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing