Pre-colonial and Post-colonial Drama and Theatre in AfricaLokangaka Losambe, Devi Sarinjeive New Africa Books, 2001 - 155 էջ In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies. |
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CHAPTER | 7 |
CHAPTER | 14 |
CHAPTER 3 | 32 |
CHAPTER 4 | 48 |
CHAPTER 6 | 72 |
Dialogic Forces in J P ClarkBekederemos Ozidi | 81 |
A Postcolonial Tool for Rejuvenating Indigenous Languages | 95 |
CHAPTER 10 | 120 |
CHAPTER 12 | 143 |
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action African culture African drama African indigenous doctors African languages African literature ancestors ancestral spirits apartheid artistic Athol Fugard audience become behaviour bira bride bride's family ceremony civilisation Clark-Bekederemo colonial contemporary corruption Credo Mutwa critics deceased's depicted Dhlomo drama and theatre drama in Africa dramatist English example female character Fugard gender girls gods groom's human Ibadan Igbo incwala indigenous African theatre indigenous languages Johannesburg king Krwebede kurova guva literary living London lusekwane male medium Mlama mudzimu mukwerera myth Ngandu Ngugi Ngugi wa Thiong'o Nigeria oonozakuzaku oral narratives Orua Orua's Osofisan Ozidi para-human actors play playwright political post-colonial pre-colonial religion role sacred sangomas satire Shona singing siSwati social society song and dance South Africa Soyinka spirit elder stage Steadman story story-teller symbolic Theatre for Development theatrical traditional African tribal Uganda umhlanga University Press uNosilimela voice wedding celebration Wole Soyinka woman women Yoruba Zimbabwean