Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26 օգս, 2009 թ. - 736 էջ The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
Արդյունքներ 96–ի 1-ից 5-ը:
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... order to gain the hand of the fair lady; Illyria in Twelfth Night is (as its name suggests) a place of illusion and delirium, where Viola disguises herself as a young man and is mistaken The Playhouse THE TAMING OF THE SHREW.
... order to gain the hand of the fair lady; Illyria in Twelfth Night is (as its name suggests) a place of illusion and delirium, where Viola disguises herself as a young man and is mistaken The Playhouse THE TAMING OF THE SHREW.
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... young page in disguise. Yet this counterfeiting of roles is no more unreal than the employment of Elizabethan boy-actors for the parts of Katharina and Bianca in the “real” play. As we watch Sly watching a play, levels of meaning ...
... young page in disguise. Yet this counterfeiting of roles is no more unreal than the employment of Elizabethan boy-actors for the parts of Katharina and Bianca in the “real” play. As we watch Sly watching a play, levels of meaning ...
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... young maiden. Vincentio is publicly informed that he is an impostor and that the “real” Vincentio (the Pedant) is at that very moment looking at him out of the window of his son Lucentio's house. This last ruse does not fool the real ...
... young maiden. Vincentio is publicly informed that he is an impostor and that the “real” Vincentio (the Pedant) is at that very moment looking at him out of the window of his son Lucentio's house. This last ruse does not fool the real ...
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... young lovers, choosing each other for romantic reasons, must fend off the materialistic calculations of their parents. In a stock situation of this sort, the character types are also conventional. Gremio, the aged wealthy wooer, is ...
... young lovers, choosing each other for romantic reasons, must fend off the materialistic calculations of their parents. In a stock situation of this sort, the character types are also conventional. Gremio, the aged wealthy wooer, is ...
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... young heroines of many other Shakespearean comedies (Portia in The Merchant of Venice and Rosalind in As You Like It, for example) who wittily guide their immature and overly romantic young men toward a pragmatic View of love and ...
... young heroines of many other Shakespearean comedies (Portia in The Merchant of Venice and Rosalind in As You Like It, for example) who wittily guide their immature and overly romantic young men toward a pragmatic View of love and ...
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Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Դիտել հնարավոր չէ - 1988 |
Common terms and phrases
actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1