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Tell me bright Spirit where'er thou hoverest,
Oh say me true, if thou wert mortal wight,
Of sheeny heav'n, and thou some goddess fled
38. Tell me bright Spirit 44. —didst
fall ;] This is somewhere'er thou hoverest, what inaccurate in all the ediWhether above, &c.]
tions. Grammar and syntax reThese hypothetical questions are quire did fall. like those in Lycidas, " Whether 47. Or did of late earth's sons "beyond the stormy Hebrides, &c.] For when the giants in" &c.” v. 156. originally from vaded heaven, the deities fled Virgil, Georg. i. 32.
and concealed themselves in va. Anne novum tardis sidus te mensibus rious shapes. See Ovid, Met. v. addas, &c.
319, &c. T. Warton. 48. Of sheeny heaven,] So in 39. —that high first-moving Spenser, sphere,] The primum mobile, And beautifie the sheenie firmament. that first moved as he calls it, Sheen occurs in Hamlet, a. ii. Paradise Lost, iii. 483. where see the note.
And thirty dozen moons with bor40. -if such there were.] He rowed sheen, &c. should have said are, if the
T. Warton, rhyme had permitted. Hurd.
49. —nectar'd head?] As in 44. Of shak’d Olympus) For Lycidas, ver. 175. shaken. In Cymbeline, a. ii. s. 2.
With nectar pure his oozy locks he A sly, and constant knave, not to be
—that just Maid] Astrea T. Warton.
or the Goddess of justice, who
Forsook the hated earth, O tell me sooth,
other of that heav'nly brood Let down in cloudy throne to do the world some good?
offended with the crimes of men Orb'd in a rainbow; and like glories forsook the earth. Ovid, Met. i. wearing
Mercy will sit between &c. 150. Ultima cælestům terras Astrea re
And Mercy is not unfitly repreliquit.
sented as a sweet smiling youth, 53. —that sweet smiling Youth?] this age being the most suscepAt first I imagined that the au
tible of the tender passions. thor meant Hebe, in Latin Jue
53. The late Mr. John Heskin, venta, or Youth. And Mr. Jortin of Ch. Ch. Oxford, who published communicated the following note. an elegant edition of Bion and “A word of two syllables is Moschus, was the author both of • wanting to fill up the measure
this ingenious conjecture and of 66 of the verse. It is easy to
the reasons for it in the preceding “ find such a word, but impos
T. Warton. " sible to determine what word
57. Or wert thou of the golden“ Milton would have inserted. winged host.] Mr. Bowle cites “ He uses Youth in the feminine Spenser's Hymne of Heavenlie
Beautie, gender, as the Latins some“ times use juvenis, and by this
-Bright Cherubins “fair youth he probably means Which all with golden wings are of the Goddess Hebe, who was overdight. “ also called Juventas or Ju- And Spenser's Heavenly Love “ venta." But others have pro- has golden wings. Tasso thus posed to fill up the verse thus, describes Gabriel's wings, Gier, Or wert thou Mercy that sweet smil. Lib. i. 14. ing youth?
Ali bianche vesti ch' han d' or le For Mercy is often joined with
cime. Justice and Truth, as in the Hymn on the Nativity, st. 15. See Il Penseroso, v. 52. T. War
ton. Yea Truth and Justice then Will down return to men,
As if to show what creatures heav'n doth breed,
Thereby to set the hearts of men on fire
To stand 'twixt us and our deserved smart?
75 This if thou do, he will an offspring give, That till the world's last end shall make thy name to live.
68. Or drive away the slaughter- from a boy of seventeen, this ing pestilence,) It should be Ode is an extraordinary effort of noted, that at this time there was fancy, expression, and versificaa great plague in London, which tion. Even in the conceits, which gives a peculiar propriety to this are many, we perceive strong whole stanza.
and peculiar marks of genius. 68. The application to present I think Milton has here given circumstances, the supposition a very remarkable specimen of that the heaven-loved innocence of his ability to succeed in the Spenthis child, by remaining upon serian stanza. He moves with earth, might have averted the great ease and address amidst pestilence now raging in the the embarrassment of a frequent kingdom, is happily and beauti- return of rhyme. T. Warton. fully conceived. On the whole,
II. Anno ætatis 19. At a Vacation Exercise in the
College, part Latin, part English. The Latin speeches ended, the English thus began.
HAIL native language, that by sinews weak
These verses were made in Not those new-fangled loys, and 1627, that being the nineteenth trimming slight year of the author's age; and Which takes our late fantastics they were not in the edition of with delight.) 1645, but were first added in Perhaps he here alludes to Lilly's the edition of 1673.
Euphues, a book full of affected 13. -forecast,] See Sams.
See Sams. phraseology, which pretended to Agon. v. 254. T. Warton. reform or refine the English lan18. And from thy wardrobe guage; and whose effects, al
bring thy chiefest treasure, though it was published some
Not those new fangled toys, and trimming slight
25 Till thou hast deck'd them in thy best array; That so they may without suspect or fears Fly swiftly to this fair assembly's ears ; Yet I had rather, if I were to choose, Thy service in some graver subject use,
30 years before, still remained. The 19. Not those new-fangled toys] ladies and the courtiers were all Dressed anew, fantastically deinstructed in this new style; and corated, newly invented, Shakeit was esteemed a mark of igno- speare, Love's Lab. Lost, a. i. s. 1. rance or unpoliteness not to un- At Christmas I no more desire a rose, derstand Euphuism. He pro- Than wish a snow in May's newceeds,
fangled shows. But cull those richest robes, and In Cymbeline, we have simply gay'st attire,
fangled, a. v. s. 4. “ Be not, as Which deepest spirits, and choicest
our fangled world, &c.” “ Newwits desire. From a youth of nineteen, these and Fletcher. In our Church
“ fangled work” occurs in B. are striking expressions of a
Canons, dated 1603. sect. 74. consciousness of superior genius, new fanglenesse is used for indoand of an ambition to rise above vation in dress and doctrine. the level of the fashionable And so Spenser, F. Q. i. iv. 25. rhymers. He seems to have retained to the last this contempt
Full vaine follies and nero.fanglenesse. for the poetry in vogue. In the See also Prefaces to Comm. Pr. Tractate on Education, p. 110. of Cerem. A. D. 1549. and our ed. 1673, he says, the study of Author's Prelatical Episcopacy, good critics “ would make them Pr. W. i. 37. and in Ulpian " soon perceive what despicable Fullwill's interlude, Like Wit to “ creatures our common rhymers like, Nichol Nenfangle is the vice. “ and play-writers be: and shew T. Warton. q what religious, what glorious 29. Yet I had rather, if I were " and magnificent use might be to choose, " made of poetry.”
's own Thy service in some graver subwritings are the most illustrious ject use, &c.] :: proof of this. T. Warton.
It appears by this address of