Speech and Performance in Shakespeare's Sonnets and PlaysCambridge University Press, 17 հոկ, 2002 թ. - 262 էջ David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. |
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Acknowledgements page viii | 1 |
the sonnets Antony and Cleopatra | 29 |
the sonnets Loves Labours Lost Romeo | 59 |
Juliet and Twelfth Night 5999 | 102 |
the sonnets Romeo and Juliet Troilus | 150 |
the sonnets and Alls Well that Ends Well | 198 |
Conclusion | 238 |
| 253 | |
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