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Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years

Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:

I am the captain of my soul.

THE BLACKBIRD

The nightingale has a lyre of gold,
The lark's is a clarion call,

And the blackbird plays but a boxwood flute,
But I love him best of all.

For his song is all of the joy of life,
And we in the mad, spring weather,

We two have listened till he sang
Our hearts and lips together.

MARGARITÆ SORORI

A late lark twitters from the quiet skies;

And from the west,

Where the sun, his day's work ended,

Lingers as in content,

There falls on the old, grey city
An influence luminous and serene,
A shining peace.

The smoke ascends

In a rosy-and-golden haze. The spires
Shine, and are changed. In the valley
Shadows rise. The lark sings on. The sun,
Closing his benediction,

Sinks, and the darkening air

Thrills with a sense of the triumphing night

Night with her train of stars

And her great gift of sleep.

So be my passing!

My task accomplished and the long day done,

My wages taken, and in my heart

Some late lark singing,

Let me be gathered to the quiet west,
The sundown splendid and serene,
Death.

Robert Louis Stevenson

Robert Louis Stevenson was born at Edinburgh in 1850. He was at first trained to be a lighthouse engineer, following the profession of his family. However, he studied law instead, was admitted to the bar in 1875, and abandoned law for literature a few years later.

Though primarily a novelist, Stevenson has left one immortal book of poetry which is equally at home in the nursery and the library: A Child's Garden of Verses (first published in 1885) is second only to Mother Goose's own collection in its lyrical simplicity and universal appeal. Underwoods (1887) and Ballads (1890) comprise his entire poetic output. As a genial essayist, he is not unworthy to be ranked with Charles Lamb. As a romancer, his fame rests securely on Kidnapped, the unfinished masterpiece, Weir of Hermiston, and that eternal classic of youth, Treasure Island.

Stevenson died after a long and dogged fight with his illness, in the Samoan Islands in 1894.

1

ROMANCE

I will make you brooches and toys for your delight
Of bird-song at morning and star-shine at night.
I will make a palace fit for you and me,

Of green days in forests and blue days at sea.

I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.

And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.

REQUIEM

Under the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,

And I laid me down with a will.

This be the verse you 'grave for me:
Here he lies where he long'd to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.

Fiona Macleod

(William Sharp)

William Sharp was born at Garthland Place, Scotland, in 1855. He wrote several volumes of biography and criticism, published a book of plays greatly influenced by Maeterlinck (Vistas) and was editor of "The Canterbury Poets" series.

His feminine alter ego, Fiona Macleod, was a far different personality. Sharp actually believed himself possessed of another spirit; under the spell of this other self, he wrote several volumes of Celtic tales, beautiful tragic romances and no little unusual poetry. Of the prose stories written by Fiona Macleod, the most barbaric and vivid are those collected in The Sin-Eater and Other Tales; the longer Pharais, A Romance of the Isles, is scarcely less unique.

In ten years, 1882-1891, William Sharp published four volumes of rather undistinguished verse. In 1896 From the Hills of Dream appeared over the signature of Fiona Macleod; The Hour of Beauty, a rather more distinctive collection, followed shortly. Both poetry and prose were always the result of two sharply differentiated moods constantly fluctuating; the emotional mood was that of Fiona Macleod, the intellectual and, it must be admitted, the more arresting mood was that of William Sharp.

He died in 1905.

THE VALLEY OF SILENCE

In the secret Valley of Silence
No breath doth fall;

No wind stirs in the branches;

No bird doth call:

As on a white wall

A breathless lizard is still,
So silence lies on the valley
Breathlessly still.

In the dusk-grown heart of the valley

An altar rises white:

No rapt priest bends in awe

Before its silent light:

But sometimes a flight

Of breathless words of prayer
White-wing'd enclose the altar,
Eddies of prayer.

Oscar Wilde was born at Dublin, Ireland, in 1856, and even as an undergraduate at Oxford he was marked for a brilliant career. When he was a trifle over 21 years of age, he won the Newdigate Prize with his poem Ravenna.

Giving himself almost entirely to prose, he speedily became known as a writer of brilliant epigrammatic essays and even more brilliant paradoxical plays such as An Ideal Husband and The Importance of Being Earnest. His aphorisms and flippancies were quoted everywhere; his fame as a wit was only surpassed by his notoriety as an æsthete. (See Preface.) Most of his poems in prose (such as The Happy Prince, The Birthday of the Infanta and The Fisherman and His Soul) are more imaginative and richly colored than his verse; but in one long poem, The Ballad of Reading Gaol (1898), he sounded his deepest, simplest and most enduring note. Prison was, in many ways, a regeneration for Wilde. It not only produced The Ballad of Reading Gaol but made possible his most poignant piece of writing, De Profundis, only a small part of which has been published.

Wilde's society plays, flashing and cynical, were the forerunners of Bernard Shaw's audacious and far more searching ironies.

Wilde died at Paris, November 30, 1900.

REQUIESCAT

Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.

All her bright golden hair
Tarnished with rust,

She that was young and fair

Fallen to dust.

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