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A great storm from the ocean goes shouting o'er the hill,
And there is glory in it; and terror on the wind:
But the haunted air of twilight is very strange and still,

And the little winds of twilight are dearer to my mind.

The great waves of the Atlantic sweep storming on their

way,

Shining green and silver with the hidden herring shoal; But the little waves of Breffny have drenched my heart in spray,

And the little waves of Breffny go stumbling through my soul.

Moira O'Neill

Moira O'Neill is known chiefly by a remarkable little collection of only twenty-five lyrics, Songs from the Glens of Antrim (1900), simple tunes as unaffected as the peasants of whom she sings. The best of her poetry is dramatic without being theatrical; it is melodious without falling into the tinkle of most "popular" sentimental verse.

A BROKEN SONG

"Where am I from?" From the green hills of Erin.
"Have I no song then?" My songs are all sung.
"What o' my love?" "Tis alone I am farin'.
Old grows my heart, an' my voice yet is young.

"If she was tall?"

"If she was fair?"

Like a king's own daughter.
Like a mornin' o' May.

When she'd come laughin' 'twas the runnin' wather,

When she'd come blushin' 'twas the break o' day.

"Where did she dwell?” Where one'st I had my

dwellin'.

"Who loved her best?" There's no one now will know. "Where is she gone?" Och, why would I be tellin'! Where she is gone there I can never go.

Ralph Hodgson

This exquisite poet was born in Northumberland in 1871. One of the most graceful of the younger word-magicians, Ralph Hodgson will retain his freshness as long as there are lovers of such rare songs as his "Eve," the lengthier "The Song of Honor," and that memorable snatch of music, "Time, You Old Gypsy Man."

Hodgson's verses, full of the love of all natural things, a love that goes out to

"an idle rainbow

No less than laboring seas,"

were originally brought out in small pamphlets, and distributed by Flying Fame. A collected Poems appeared in America in

1917.

THE BIRDCATCHER

When flighting time is on, I go
With clap-net and decoy,
A-fowling after goldfinches
And other birds of joy;

I lurk among the thickets of
The Heart where they are bred,
And catch the twittering beauties as
They fly into my Head.

TIME, YOU OLD GYPSY MAN

Time, you old gypsy man,

Will you not stay,

Put up your caravan
Just for one day?

All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,

Oh, and sweet girls will
Festoon you with may.
Time, you old gypsy,
Why hasten away?

Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;

Under Paul's dial

You tighten your rein―

Only a moment,

And off once again;

Off to some city

Now blind in the womb,

Off to another

Ere that's in the tomb.

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Time, you old gypsy man,
Will you not stay,
Put up your caravan
Just for one day?

AFTER

"How fared you when you mortal were?
What did you see on iny peopled star?"
"Oh, well enough," I answered her,

It went for me where mortals are!

"I saw blue flowers and the merlin's flight,
And the rime on the wintry tree;

Blue doves I saw and summer light
On the wings of the cinnamon bee."

THE MYSTERY

He came and took me by the hand
Up to a red rose tree,

He kept His meaning to Himself
But gave a rose to me.

I did not pray Him to lay bare

The mystery to me,

Enough the rose was Heaven to smell,

And His own face to see.

John McCrae

John McCrae was born in Guelph, Ontario, Canada, in 1872. He was graduated in arts in 1894 and in medicine in

1898. He finished his studies at Johns Hopkins in Baltimore and returned to Canada, joining the staff of the Medical School of McGill University. He was a lieutenant of artillery in South Africa (1899-1900) and was in charge of the Medical Division of the McGill Canadian General Hospital during the World War. After serving two years, he died of pneumonia, January, 1918, his volume In Flanders Fields (1919) appearing posthumously.

Few who read the title poem of his book, possibly the most widely-read poem produced by the war, realize that it is a perfect rondeau, one of the loveliest (and strictest) of the French forms.

IN FLANDERS FIELDS

In Flanders fields the poppies blow
Between the crosses, row on row,

That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye
break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Walter De la Mare

The author of some of the most haunting lyrics in contemporary poetry, Walter (John) De la Mare, was born in 1873.

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