himself go completely; nothing remained sober or static. His lines fling themselves across the page; shout with a wild irresponsibility; leap, laugh, carouse and carry off the reader in a gale of high spirits. "At the Crossroads" is a vivid example of this gipsy-like spirit which could (as in "Unmanifest Destiny," written on the outbreak of the Spanish-American War) sound deeper notes with equal strength. The famous Stein Song is but an interlude in the midst of a far finer and even more rousing poem that, with its flavor of Whitman, begins: I said in my heart, “I am sick of four walls and a ceiling. I have need of the sky. I have business with the grass. I will up and get me away where the hawk is wheeling, And the slow clouds go by. I will get me away to the waters that glass The clouds as they pass. Although the varied lyrics in Songs from Vagabondia are the best known examples of Hovey, a representative collection of his riper work may be found in Along the Trail (1898). Hovey died, during his thirty-sixth year, in 1900. AT THE CROSSROADS You to the left and I to the right, But whether we meet or whether we part Here's luck! For we know not where we are going. Whether we win or whether we lose And the best of us all go under— And whether we're wrong or whether we're right, We win, sometimes, to our wonder. Here's luck! That we may not yet go under! With a steady swing and an open brow But we're clasping hands at the crossroads now And whether we bleed or whether we smile In the leagues that lie before us And a cheer for the dark before us! You to the left and I to the right, For the ways of men must sever, And it well may be for a day and a night But whether we live or whether we die Here's two frank hearts and the open sky, In the teeth of all winds blowing. UNMANIFEST DESTINY To what new fates, my country, far Compelled to what unchosen end, Across the sea that knows no beach, The guns that spoke at Lexington To bugle forth the rights of men. To them that wept and cursed Bull Run, What was it but despair and shame? Who saw behind the cloud the sun? Who knew that God was in the flame? Had not defeat upon defeat, The slave's emancipated feet Had never marched behind the drum. There is a Hand that bends our deeds To mightier issues than we planned; Each son that triumphs, each that bleeds, My country, serves It's dark command. I do not know beneath what sky I only know it shall be great. A STEIN SONG (From "Spring") Give a rouse, then, in the Maytime When good fellows get together, With a stein on the table and a good song ringing clear. When the wind comes up from Cuba, And the birds are on the wing, And our hearts are patting juba To the banjo of the spring, Then it's no wonder whether The boys will get together, With a stein on the table and a cheer for everything. For we're all frank-and-twenty When the spring is in the air; And it's birds of a feather When we all get together, With a stein on the table and a heart with out a care. For we know the world is glorious, And the goal a golden thing, And that God is not censorious When his children have their fling; And life slips its tether When the boys get together, With a stein on the table in the fellowship of spring. Madison Cawein Madison (Julius) Cawein was born in Louisville, Kentucky, in 1865, and spent most of his life in the state of his birth. He' wrote an enormous quantity of verse, publishing more than twenty volumes of pleasant, sometimes exuberant but seldom distinguished poetry. Lyrics and Idyls (1890) and Vale of Tempe (1905) contain his most characteristic stanzas, packed with an adjectival love of Nature that led certain of his admirers to call him (and, one must admit, the alliteration was tempting) "the Keats of Kentucky." Cawein died in Kentucky in 1914. SNOW The moon, like a round device The wind has sunk to a sigh, And gray, in the eastern sky, White fields, that are winter-starved, |