Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 139
... creating a horisontal correspondence between the sensing subject and the sensed object . The eyes of the perceiving subject are no longer situated within a vertical pattern of seeing , but are directed inwards at the depths created by ...
... creating a horisontal correspondence between the sensing subject and the sensed object . The eyes of the perceiving subject are no longer situated within a vertical pattern of seeing , but are directed inwards at the depths created by ...
Էջ 147
... created in the grown man's imaginative use - his inversion , reflection of the original sublime mental impression ... creation of the poem and thus also for the Sublime as an aesthetic form . This is why the downward orientation from the ...
... created in the grown man's imaginative use - his inversion , reflection of the original sublime mental impression ... creation of the poem and thus also for the Sublime as an aesthetic form . This is why the downward orientation from the ...
Էջ 223
... created out of the new and pristine American nature , always , however , progressing into ever more perfection and thus creating a perfect society - paradoxical ideas stemming from the Puritans of the 17th century . In the wake of the ...
... created out of the new and pristine American nature , always , however , progressing into ever more perfection and thus creating a perfect society - paradoxical ideas stemming from the Puritans of the 17th century . In the wake of the ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing