Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 15–ի 1-ից 3-ը:
Էջ 125
... genres , particularly in the case of the quotational use of forms and genres . First I would like to give examples of the renewal and modifi- cation of an old genre under new and counterplaying circumstances , and after that an example ...
... genres , particularly in the case of the quotational use of forms and genres . First I would like to give examples of the renewal and modifi- cation of an old genre under new and counterplaying circumstances , and after that an example ...
Էջ 128
... genre . It has a structural centre , an unprecedented event , involving a violation of confine- ments , a transgression of social norms , which is the cause of the conflict . This centre of the story is condensed in a symbolic object ...
... genre . It has a structural centre , an unprecedented event , involving a violation of confine- ments , a transgression of social norms , which is the cause of the conflict . This centre of the story is condensed in a symbolic object ...
Էջ 131
... genre theory of Early Romanticism , which in its call for transgression of genre boundaries had set the emphasis on the effects of a dialectics between opposites . It was regarded as mere ornamental play , as arabesque combina- tion ...
... genre theory of Early Romanticism , which in its call for transgression of genre boundaries had set the emphasis on the effects of a dialectics between opposites . It was regarded as mere ornamental play , as arabesque combina- tion ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing