Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 47
... give information about the order of the minerals . This connection is dissolved since Werner presumes a fundamental dichotomy , the one between anorganic and organic . The decisive criterion for this division is the specific coherence ...
... give information about the order of the minerals . This connection is dissolved since Werner presumes a fundamental dichotomy , the one between anorganic and organic . The decisive criterion for this division is the specific coherence ...
Էջ 65
... gives of ' synthetic positing ' . Humboldt com- pares the act of automatic positing , as it manifests itself in particular operations of language and parts of speech , to a stroke of lightning . The first example he gives of automatic ...
... gives of ' synthetic positing ' . Humboldt com- pares the act of automatic positing , as it manifests itself in particular operations of language and parts of speech , to a stroke of lightning . The first example he gives of automatic ...
Էջ 125
... gives forms and gen- res their prevalent role in literature and other art forms . They orientate the reader in his or ... give examples of the renewal and modifi- cation of an old genre under new and counterplaying circumstances , and ...
... gives forms and gen- res their prevalent role in literature and other art forms . They orientate the reader in his or ... give examples of the renewal and modifi- cation of an old genre under new and counterplaying circumstances , and ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing