Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 30–ի 1-ից 3-ը:
Էջ 66
... present moment of discourse . Anticipating Benveniste and H. Paul Grice , Hum- boldt places one - to - one dialogue at the centre of his model of language : ' All speak- ing rests on dialogue , in which , even in a group , the speaker ...
... present moment of discourse . Anticipating Benveniste and H. Paul Grice , Hum- boldt places one - to - one dialogue at the centre of his model of language : ' All speak- ing rests on dialogue , in which , even in a group , the speaker ...
Էջ 148
... present . Retrospection is not , then , looking back at - or reconstructing the past , but the past presenting itself in the inner , creative eye of the poet in the present ( ' visionary things , and love- ly forms ' , ' a visible scene ...
... present . Retrospection is not , then , looking back at - or reconstructing the past , but the past presenting itself in the inner , creative eye of the poet in the present ( ' visionary things , and love- ly forms ' , ' a visible scene ...
Էջ 159
... present rather than some lost age , for while both eternal and transitory components constitute beauty , these can only be joined by the artist's imagination , his synoptic glance , a function of the present . Baudelaire views the ...
... present rather than some lost age , for while both eternal and transitory components constitute beauty , these can only be joined by the artist's imagination , his synoptic glance , a function of the present . Baudelaire views the ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing