Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 82–ի 1-ից 3-ը:
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... Theory ' in Copenhagen in June 1996. The title of the conference - and of the pres- ent publication - lends itself to various interpretations . ' Romanticism in Theory ' may be construed as Romantic theory , Romanticism as theory , or ...
... Theory ' in Copenhagen in June 1996. The title of the conference - and of the pres- ent publication - lends itself to various interpretations . ' Romanticism in Theory ' may be construed as Romantic theory , Romanticism as theory , or ...
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... theory with the subject - oriented Romantic theories of language as performance , Esterhammer suggests that this ex- tended theory of performative language is particularly relevant to the interpretation of Romantic literature . As an ...
... theory with the subject - oriented Romantic theories of language as performance , Esterhammer suggests that this ex- tended theory of performative language is particularly relevant to the interpretation of Romantic literature . As an ...
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... theory by the Oxford philosopher J.L. Austin in the 1950s , and by his American student John R. Searle in the 1960s and 70s – and there is a certain irony in the way a major element of contemporary critical theory has developed out of a ...
... theory by the Oxford philosopher J.L. Austin in the 1950s , and by his American student John R. Searle in the 1960s and 70s – and there is a certain irony in the way a major element of contemporary critical theory has developed out of a ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing