Romanticism in TheoryLis Møller, Marie-Louise Svane Aarhus University Press, 2001 - 272 էջ A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy. |
From inside the book
Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 16
... unconscious , the drive , and feminin- ity . The purpose of these essays is twofold : To re - read Romantic ... unconscious in Schelling's philosophy of art and poetry in the light of the psychoanalytic conception of the unconscious as ...
... unconscious , the drive , and feminin- ity . The purpose of these essays is twofold : To re - read Romantic ... unconscious in Schelling's philosophy of art and poetry in the light of the psychoanalytic conception of the unconscious as ...
Էջ 197
... unconscious through morals , language and art , cultural manifestations of the freedom inherited by the human subject as a result of God's gift of freewill . The split in consciousness and the unconscious are not described as two simple ...
... unconscious through morals , language and art , cultural manifestations of the freedom inherited by the human subject as a result of God's gift of freewill . The split in consciousness and the unconscious are not described as two simple ...
Էջ 198
... unconscious is a work of art described in terms of art and poetry : If we must look in one of these activities , that is , the conscious activity , after what usually is called art , but which only constitutes a part of art , namely the ...
... unconscious is a work of art described in terms of art and poetry : If we must look in one of these activities , that is , the conscious activity , after what usually is called art , but which only constitutes a part of art , namely the ...
Բովանդակություն
Abbreviations | 8 |
The Early Romantic Theory of Language and Its Impact upon Nietzsche | 20 |
MarieTheres Federhofer | 41 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
According aesthetic appears artistic becomes beginning Blake called Carus century characteristics Coleridge communication concept consciousness context created critical d'une dans death desire Early edition essay example existence experience expression Foucault Friedrich function genre German Gothic hand Hardenberg human idea imagination important interpretation Kierkegaard knowledge landscape language later light literary literature means metaphor mind mirror monde mythical nature Nietzsche notion Novalis object origin Paul performative philosophy poem poet poetic poetry position possible present production question reading reason reference reflection regard relation represents rêve rhetorical Romantic Romantic love Romanticism Schelling Schlegel seems seen sense sexual speaking structure sublime symbolic takes theory things thought Tieck tion tradition transformation translation turns unconscious understanding University vision Werner whole writing