The Grotowski Sourcebook
This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work.
Edited by the two leading experts on Grotowski, the sourcebook features:
*essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz
*writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle'
*a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards
*an array of photographs documenting Grotowski and his followers in action
*a historical-critical study of Grotowski by Richard Schechner.
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List of Illustrations xi
THEATRE OF PRODUCTIONS 195769
Interview with Grotowski
Doctor Faustus Textual montage
Ludwik Flaszen 64
Holiday Swieto The day that is holy
A prose meditation on Grotowski
The Theatre of Sources
OBJECTIVE DRAMA 198386
Grotowski or the Limit
Some parallels in the training process
Subjective Reflections on Objective Work
Interview with Grotowski
The Laboratory Theatre in New York 1969
Why Should I Take Part in the Sacred Dance?
Let Grotowski Sacrifice Masculinity
Grotowski Right Did the Word Come Last?
Dissolution and diaspora
In Memory of Ryszard Cieslak
Այլ խմբագրություններ - View all
acting activities actor Akropolis ancient Andre Gregory Apocalypsis Apocalypsis cum figuris archetype Art as vehicle artistic asked audience Auschwitz Balinese become begins Biagini body Brook Constant Prince create creative culture Cynkutis dance developed direct director doers elements energy Eugenio Barba example exercises experience Faustus feel fragments gestures Grotowski's theatre Gurdjieff Haitian Hasidic human individual inner action Jan Kott Jerzy Grotowski kind Kordian Laboratory Theatre living look means Mephistopheles montage movement Objective Drama Opole Osinski paratheatrical participants performance structure person Peter Brook Photo play Poland Polish Pontedera Poor Theatre possible practice precise present question Richard Schechner ritual Ryszard Cieslak sense Shekhinah silence Simon Peter Simpleton singing Slowiak someone song space speak spectators spiritual stage Stanislavsky T.S. Eliot techniques Theatre of Productions Theatre of Sources theatrical thing Thomas Richards tradition witness words Workcenter Wroclaw yantra