THE WILD GAZELLE. THE wild gazelle on Judah's hills Exulting yet may bound, And drink from all the living rills May glance in tameless transport by: A step as fleet, an eye more bright, Inhabitants more fair. The cedars wave on Lebanon, But Judah's statelier maids are gone! More blest each palm that shades those plains Than Israel's scatter'd race; For, taking root, it there remains In solitary grace: It cannot quit its place of birth, But we must wander witheringly, OH WEEP FOR THOSE. OH! weep for those that wept by Babel's stream, And where shall Israel lave her bleeding feet? The hearts that leap'd before its heavenly voice? Tribes of the wandering foot and weary breast, The wild-dove hath her nest, the fox his cave, ON JORDAN'S BANKS. [sleep : ON Jordan's banks the Arab's camels stray, Oh in the lightning let thy glance appear; [Jephtha, a bastard son of Gilead, having been wrongfully expelled from his father's house, had taken refuge in a wild country, and become a noted captain of freebooters. His kindred, groaning under foreign oppression, began to look to their valiant, though lawless compatriot, whose profession, according to their usage, was no more dishonourable than that of a pirate in the elder days of Greece. They sent for him, and made him head of their city. Before he went forth against the Ammonites, he made the memorable vow, that, if he returned victorious, he would sacrifice as a burnt offering JEPHTHA'S DAUGHTER. 1 SINCE Our Country, our God- Oh, my sire ! And the voice of my mourning is o'er, And of this, oh, my Father! be sure- I have won the great battle for thee, OH! SNATCH'D AWAY IN BEAUTY'S BLOOM. OH! snatch'd away in beauty's bloom, Their leaves, the earliest of the year; Shall Sorrow lean her drooping head, And lingering pause and lightly tread; Away! we know that tears are vain, That death nor heeds nor hears distress: Will this unteach us to complain? Or make one mourner weep the less? And thou-who tell'st me to forget, Thy looks are wan, thine eyes are wet. MY SOUL IS DARK. My soul is dark-Oh! quickly string Its melting murmurs o'er mine ear. That sound shall charm it forth again: If in these eyes there lurk a tear, 'T will flow, and cease to burn my brain. But bid the strain be wild and deep, Nor let thy notes of joy be first: I tell thee, minstrel, I must weep, Or else this heavy heart will burst; whatever first met him on his entrance into his native city He gained a splendid victory. At the news of it, his daughter came dancing forth, in the gladness of heart, with jocund instruments of music, to salute the deliverer of his people. The miserable father rent his clothes in ager but the noble-spirited maiden would not hear of the disregard of the vow: she only demanded a short period to bewall open the mountains, like the Antigone of Sophocles, her dys without hope of becoming a bride or mother, and then sud mitted to her fate.- - MILMAN.] For it hath been by sorrow nursed, SONG OF SAUL BEFORE HIS LAST BATTLE. WARRIORS and chiefs! should the shaft or the sword Pierce me in leading the host of the Lord, And ached in sleepless silence long; And now 'tis doom'd to know the worst, And break at once-or yield to song. 1 I SAW THEE WEEP. I SAW thee weep-the big bright tear Came o'er that eye of blue; And then methought it did appear A violet dropping dew: I saw thee smile the sapphire's blaze It could not match the living rays As clouds from yonder sun receive Which scarce the shade of coming eve Those smiles unto the moodiest mind THY DAYS ARE DONE. THY days are done, thy fame begun ; The triumphs of her chosen Son, Though thou art fall'n, while we are free Thy spirit on our breath! Thy name, our charging hosts along, Thy fall, the theme of choral song To weep would do thy glory wrong; ["It was generally conceived that Lord Byron's reported singularities approached on some occasions to derangement; and at one period, indeed, it was very currently asserted that his intellects were actually impaired. The report only served to amuse his Lordship. He referred to the circumstance, and declared that he would try how a madman could write: seizing the pen with eagerness, he for a moment fixed his eyes in majestic wildness on vacancy; when, like a flash of inspiration, without erasing a single word, the above verses were the result."-NATHAN.] 2 [Haunted with that insatiable desire of searching into the secrets of futurity, inseparable from uncivilised man, Saul knew not to what quarter to turn. The priests, outraged by his cruelty, had forsaken him: the prophets stood aloof; no dreams visited his couch; he had persecuted even the unlawful diviners. He hears at last of a female necromancer, a woman with the spirit of Ob; strangely similar in sound to the Obeah women in the West Indies. To the cave-dwelling of this woman, in Endor, the monarch proceeds in disguise. He commands her to raise the spirit of Samuel. At this daring demand, the woman first recognises, or pretends to recognise, her royal visitor. "Whom seest thou? says the king." Mighty ones ascending from the earth."-" Of what form?"-"An old man covered with a mantle." Saul, in Heed not the corse, though a king's, in your path: Thou who art bearing my buckler and bow, Farewell to others, but never we part, SAUL. 2 THOU whose spell can raise the dead, King, behold the phantom seer!" His hand was wither'd, and his veins were dry; terror, bows down his head to the earth; and, it should seem, not daring to look up, receives from the voice of the spectre the awful intimation of his defeat and death. On the reality of this apparition we pretend not to decide: the figure, if figure there were, was not seen by Saul; and, excepting the event of the approaching battle, the spirit said nothing which the living prophet had not said before, repeatedly and publicly. But the fact is curious, as showing the popular belief of the Jews in departed spirits to have been the same with that of most other nations.- MILMAN.] 3["Since we have spoken of witches," said Lord Byron, at Cephalonia, in 1823, what think you of the witch of Endor? I have always thought this the finest and most finished witchscene that ever was written or conceived; and you will be of my opinion, if you consider all the circumstances and the actors in the case, together with the gravity, simplicity, and dig. nity of the language. It beats all the ghost scenes I ever read. The finest conception on a similar subject is that of Goethe's Devil, Mephistopheles; and though, of course, you will give the priority to the former, as being inspired, yet the latter, if you know it, will appear to you at least it does to me-one of the finest and most sublime specimens of human conception."] H h WERE MY BOSOM AS FALSE AS THOU WERE my bosom as false as thou deem'st it to be, The curse which, thou say'st, is the crime of my race: If the bad never triumph, then God is with thee! I have lost for that faith more than thou canst bestow, HEROD'S LAMENT FOR MARIAMNE. 1 Он, Mariamne! now for thee The heart for which thou bled'st is bleeding; Revenge is lost in agony, And wild remorse to rage succeeding. Oh, Mariamne! where art thou? Thou canst not hear my bitter pleading. Ah! couldst thou-thou wouldst pardon now, Though Heaven were to my prayer unheeding. And is she dead?—and did they dare Obey my frenzy's jealous raving? My wrath but doom'd my own despair: The sword that smote her's o'er me waving. But thou art cold, my murder'd love! And this dark heart is vainly craving For her who soars alone above, And leaves my soul unworthy saving. She's gone, who shared my diadem; She sunk, with her my joys entombing; Whose leaves for me alone were blooming; Which unconsumed are still consuming! ON THE DAY OF THE DESTRUCTION OF FROM the last hill that looks on thy once holy dome I look'd for thy temple, I look'd for my home, [Mariamne, the wife of Herod the Great, falling under the suspicion of infidelity, was put to death by his order. She was a woman of unrivalled beauty, and a haughty spirit: unhappy in being the object of passionate attachment, which bordered on frenzy, to a man who had more or less concern in And now on that mountain I stood on that day, BY THE RIVERS OF BABYLON WE SAT WE sate down and wept by the waters Which roll'd on in freedom below, Oh Salem! its sound should be free; THE DESTRUCTION OF SENNACHERIB. THE Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen : Like the leaves of the forest when Autumn hath blown, That host on the morrow lay wither'd and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he pass'd; And the eyes of the sleepers wax'd deadly and chill, And their hearts but once heav'd, and for ever grew still! And there lay the steed with his nostril all wide, And there lay the rider distorted and pale, And the widows of Ashur are loud in their wail, the murder of her grandfather, father, brother, and uncle, and who had twice commanded her death, in case of his own. Ever after, Herod was haunted by the image of the murdered Mariamne, until disorder of the mind brought on disorder of body, which led to temporary derangement. - MILMAN.] To free the hollow heart from paining- Like cliffs, which had been rent asunder; But neither heat, nor frost, nor thunder, The marks of that which once hath been." FARE thee well! and if for ever, Still for ever, fare thee well: Even though unforgiving, never Though the world for this commend thee- Though my many faults defaced me, Than the one which once embraced me, To inflict a cureless wound? [The Hebrew Melodies, though obviously inferior to Lord Byron's other works, display a skill in versification and a mastery in diction, which would have raised an inferior artist to the very summit of distinction.JEFFREY.] 2 [It was about the middle of April that his two celebrated copies of verses, "Fare thee well," and "A Sketch," made their appearance in the newspapers; and while the latter poem was generally, and, it must be owned, justly condemned, as a sort of literary assault on an obscure female, whose situation ought to have placed her as much beneath his satire, as the undignified mode of his attack certainly raised her above it, with regard to the other poem, opinions were a good deal more divided. To many it appeared a strain of true conjugal tenderness, a kind of appeal which no woman with a heart could resist; while, by others, on the contrary, it was considered to be a mere showy effusion of sentiment, as difficult for real feeling to have produced as it was easy for fancy and art, and altogether unworthy of the deep interests involved in Yet, oh yet, thyself deceive not; Still thine own its life retaineth Still must mine, though bleeding, beat; And the undying thought which paineth Is that we no more may meet. These are words of deeper sorrow And when thou would solace gather, When our child's first accents flow, Wilt thou teach her to say "Father!" Though his care she must forego? When her little hands shall press thee, When her lip to thine is press'd, Think of him whose prayer shall bless thee, Think of him thy love had bless'd! Should her lineaments resemble Those thou never more may'st see, All my faults perchance thou knowest, Every feeling hath been shaken; Pride, which not a world could bow, Bows to thee-by thee forsaken, Even my soul forsakes me now: the subject. To this latter opinion I confess my own to have at first, strongly inclined; and suspicious as I could not be thinking the sentiment that could, at such a moment, inde in such verses, the taste that prompted or sanctioned ting publication appeared to me even still more questionable reading, however, his own account of all the circumstances the Memoranda, I found that on both points I had, ta c mon with a large portion of the public, done him insta He there described, and in a manner whose sincerity the was no doubting, the swell of tender recollections under influence of which, as he sat one night musing in his these stanzas were produced, the tears, as he said, f fast over the paper as he wrote them. Neither did it arr from that account, to have been from any wish or intentio his own, but through the injudicious zeal of a friend when de had suffered to take a copy, that the verses met the F eye. MORE. The appearance of the MS. confistik account of the circumstances under which it was written. A is blotted all over with the marks of tears.] |