She all night long her amorous descant sung; 605 611 When Adam thus to Eve: Fair consort, the hour Of night, and all things now retired to rest, Mind us of like repose; since God hath set Labour and rest, as day and night, to men Successive; and the timely dew of sleep, 620 Now falling with soft slumbrous weight, inclines 615 ' where the love-lorn nightingale Nightly to thee her sad song mourneth well.' 625 See Professor Anstice's Selections from the Choric Poetry of the Greek Dramatic Writers, p. 89. 603. descant: a song with various modulations. So Hom. Odyss. Τ. 521. ήτε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν. 605. living sapphires: lighted up, as we say a live coal when the fire is in it.' RICHARDSON. Hesperus-rode brightest: Ovid Fast. ii. 314. Hesperus et fusco roscidus ibat equo.' 630 Yon flowery arbours, yonder alleys green, My author and disposer, what thou bidd'st Unargued I obey: so God ordains; God is thy law, thou mine to know no more 635 Is woman's happiest knowledge, and her praise. All seasons, and their change, all please alike. 640 645 628. manuring: manual labour, working with hands; the French manouvrer; an unusual sense. 635. My author and disposer: as in v. 440. for whom and from whom I was formed;' my author, the author of my being, out of whom I was made.' HUME. 640. seasons: of the day, not of the year. So in viii. 69. we read 'His seasons, hours, or days, or months or years:' and in ix. 200. he says Adam and Eve partake the season prime for sweetest scents, i. e. the morning. It was now an eternal spring, 1. 268. and we read in x. 677. of the changes made after the fall. We may farther observe that Eve in the following lines mentions morning, evening, night, the times of the day, not the seasons of the year.' N. 650 Of grateful evening mild; then silent night, 655 Daughter of God and man, accomplish'd Eve! 660 In nature and all things; which these soft fires Of various influence foment and warm, 665 648. solemn bird: the nightingale: see the note on l. 602. So in Il Penseroso Milton terms her most musical, most melancholy.' 664. ministering to nations yet unborn the light prepared for them.' 666. Bp. Pearce proposes to read life and nature in all things; which he explains by: life in things that have life and Nature in all other things: otherwise if we admit his conjecture, we may explain life and nature to mean natural life, as in x. 345. with joy and tidings, for joyful tidings, the figure hendiadys, such as occurs in Virgil, pateris libamus et uuro for pateris aureis. Temper or nourish, or in part shed down 670 674 These, then, though unbeheld in deep of night, Singing their great Creator! oft in bands While they keep watch, or nightly rounding walk, 685 In full harmonic number join'd, their songs 690 682. ' singing to the midnight air: so in Virg. Ecl. i. 57. 'canet frondator ad auras.'' N. 685. rounding: going their round, as guards. 688. divide the night: into watches, as the trumpet did among the ancients, sounding as the watch was relieved; Sil. Ital. vii. 154. cum buccina noctem divideret.'' RICHARDSON. 693. inwoven shade (of) laurel and myrtle: as 698. Iris (of) all hues: Virg. Ecl. ii. 54. Et vos, o lauri, carpam, et te, proxima myrte, Laurel and myrtle, and what higher grew 695 the verdant wall; each beauteous flower, Iris all hues, roses, and jessamin, Rear'd high their flourish'd heads between, and wrought Mosaic; under foot the violet, Crocus, and hyacinth, with rich inlay 700 Broider'd the ground, more colour'd than with stone Of costliest emblem: other creatures here, Bird, beast, insect, or worm, durst enter none, Such was their awe of man. In shadier bower 705 More sacred and sequester'd, though but feign'd, 696. acanthus: 'a spicy tree or shrub; it has thorns and a long, large, winding leaf; those in the capitals of pillars are in imitation of them.' RICHARDSON. 698. Iris: the flower-de-luce or fleur-de-lis, which resembles the colours of the Iris or rainbow. 699. flourish'd: richly ornamented, variegated. 700. Mosaic Mosaic work is an assemblage of little pieces of glass, marble, precious stones, &c. of various colors, cut square and cemented on a ground of stucco, in such a manner as to imitate the colors and gradations of painting.' WEBSTER's Dict. From the Fr. mosaique; opus museum or musivum, Mosaic work, probably because first used in caves or grottos consecrated to the Muses (musea), Plin. xxxvi. 21. s. 42.' ADAM'S Rom. Antiq. p. 465. ib. Homer, Il. xiv. 347. makes the same flowers to spring up under Jupiter and Juno on Mount Ida: τοῖσι δ' ὑπὸ Χθὼν δια φύεν νεοθήλεα ποίην λωτόν θ' ἑρσήεντα, ἰδὲ κρόκον, ἠδ ̓ ὑάκινθον 702. color'd: diversified, variegated with colors. 703. emblem is here in the Greek and Latin sense for inlaid floors of stone or wood, to make figures mathematical or pictural: Lucilius: Arte pavimenti atque emblemate vermiculato." BENTLEY. |