Byron's Poetry: A Critical IntroductionHoughton Mifflin, 1965 - 261 էջ |
From inside the book
Արդյունքներ 5–ի 1-ից 3-ը:
Էջ 77
... star " ( the personal star under whose influ ence he was born , i.e. , his own nature ) of these he asks only forgetfulness or oblivion . But they answer evasively ; they are immortal and know not death and consequently know not whether ...
... star " ( the personal star under whose influ ence he was born , i.e. , his own nature ) of these he asks only forgetfulness or oblivion . But they answer evasively ; they are immortal and know not death and consequently know not whether ...
Էջ 122
... star Which rose and set not to the last . This same tender mood pervades the stanzas in the third canto of Childe Harold ( with an added liberated defiance of convention in the statement ) : And there was one soft breast , as hath been ...
... star Which rose and set not to the last . This same tender mood pervades the stanzas in the third canto of Childe Harold ( with an added liberated defiance of convention in the statement ) : And there was one soft breast , as hath been ...
Էջ 222
... Star Chamber ' than of ' Habeas Corpus . ' But the description must end ; though Homer had his " Catalogue of ships , " the modern author must be more moderate : " I spare you then the furniture and plate . " 999 The promised party was ...
... Star Chamber ' than of ' Habeas Corpus . ' But the description must end ; though Homer had his " Catalogue of ships , " the modern author must be more moderate : " I spare you then the furniture and plate . " 999 The promised party was ...
Բովանդակություն
Byron in the Twentieth Century | 1 |
Early Poems | 15 |
Popean Satires | 21 |
Հեղինակային իրավունք | |
16 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
Adeline admired Ali Pacha anapests beauty Beppo Byron wrote Byron's poetry Cain canto canto of Childe cavalier servente character Childe Harold Countess Guiccioli critical cynical Dante death devil digression Don Juan drama dream edition Edleston emotional England English Bards episode eyes facetious Faliero fame feelings fiction fourth canto Francesca of Rimini friends Giaour Greece Guiccioli Haidée hath heart heroic couplet Hobhouse human humor ideal innocent irony Italian Juan's Lady less Letters and Journals lines literary Lord Byron Lucifer Manfred Marchand Marino Faliero melancholy mind mood Moore moral Murray narrative nature never o'er ottava rima passion Peter Quennell phrases poet poetic political Pope Popean published readers realistic rhyme ridicule romantic Sardanapalus satire sense sentimental serious soul Southey spirit stanzas story style thee theme things third canto thou thought tion tone truth turned Venice verse voice women Wordsworth write written youth