The Actor and the Text
Virgin, 1992 - Всего страниц: 303
'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text.
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Hamlet , after he has been told of the appearance of the Ghost of his father , at the end of that scene has a short soliloquy : . Hamlet : My father's spirit ! In arms ! All is not well . I doubt some foul play .
It is good to balance the tension of the language in this play with that of Henry V. Hamlet : Hamlet : III.1 . ' To be , or not to be ... ' Ophelia in the same scene – her soliloquy . Player King : III.2 . Claudius ' soliloquy in III.3 ...
Again , in the magnificent scene between Hamlet and Gertrude in Hamlet ( Act III , Scene 4 ) , it is the debate between them that is important . In story terms the scene starts with Polonius hiding behind the arras , and ends with his ...
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
by Trevor Nunn
Attitudes to Voice and Text
Heightened versus Naturalistic Text
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