The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 27
Cicely Berry. Othello : Iago : Othello : O , blood , blood , blood ! Patience , I say : your mind perhaps may change . Never , Iago . Like to the Pontic sea , Whose icy current and compulsive course Ne'er feels retiring ebb , but keeps ...
Cicely Berry. Othello : Iago : Othello : O , blood , blood , blood ! Patience , I say : your mind perhaps may change . Never , Iago . Like to the Pontic sea , Whose icy current and compulsive course Ne'er feels retiring ebb , but keeps ...
Стр. 68
... Othello and Iago where the thoughts are so dovetailed that they are almost breathing together . In the following section of that scene , if you read it through for the metre , you will see how Othello breaks the rhythm three times : on ...
... Othello and Iago where the thoughts are so dovetailed that they are almost breathing together . In the following section of that scene , if you read it through for the metre , you will see how Othello breaks the rhythm three times : on ...
Стр. 221
... Othello and Iago depend on the rhythmic closeness between the two , and the fact that Iago is as it were speaking from the other side of Othello's mind . The scene moves inexorably forward from Othello seeing his disgraced Lieutenant ...
... Othello and Iago depend on the rhythmic closeness between the two , and the fact that Iago is as it were speaking from the other side of Othello's mind . The scene moves inexorably forward from Othello seeing his disgraced Lieutenant ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |